Pontificia Universidad Católica de Chile

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.

Being caught at school giving each other a hickey, Manu (14) and Toña (15) begin a journey of desire, guilt and goodbyes.

Gabriel Borquéz, an adult man who lives alone in an isolated house, where he hides after shooting his little son in the woods. Guilt twists his reality, causing him to hallucinate and messing up events. His salvation is to leave his consciousness, represented as a hallway in his home. He fights against self-destructive situations that damage his physical body, but ultimately succumbs at the hands of a creation of his mind, a personification of death and himself.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

Jorge, a 75-year-old retiree, spends his days watching television on the bed in which his wife died. His family tries to convince him to get the bed out of there, without receiving an answer from Jorge. Finally Jorge will embrace the most vulnerable side of him by deciding that they can take the bed.

José Luis (19) works at a gas station. There he meets Amaro (48), a wealthy client with whom he initiates a sexual and emotional relationship. José Luis falls in love with him and receives his financial support, not knowing that he maintains this type of relationship with other boys like him

In a dystopian world, a creature attends a banquet organized by a magical refrigerator. Thus begins his unbridled descent into a spiral of consumption. Corrupted and turned into a beast, he faces a macabre end.

Laura turns 21, but she is no more. Through a secret ritual, Violeta and her cousin Sofia (12) strive to communicate with her after her death. In her passage to adolescence, Violeta enters a world of goodbyes.

In a dystopian Chile, during Pascual's birthday (18), his friends come up with a game: to do a panty hunt in the building where the single women have just arrived. Pascual cheats to avoid hurting a woman and is discovered by the 19-year-old Zángano, who threatens him by telling him that if he doesn't hurt a woman, he will hurt his younger sister Olivia, aged 12.

A woman's voice will attempt to reconstruct memories of sexual abuse in her childhood, traveling through stories and images projected onto the textures of the house where the events occurred.

Photographer Patricio Guzmán Campos has died in exile. Silvia edited his retrospective book a few years ago and after learning about Patricio's death, she sits down to read again the letters he sent her, in which he reveals the feelings and reflections provoked by facing his photography during the process of making the book, where he sees a place that has been taken away from him, but which he tries to hold on to through his memories.

A user enters the virtual reality platform "VRChat", a space that allows socialization through avatars. With a bird avatar, he travels through diverse and beautiful landscapes, from a Buddhist temple in the mountains to the ruins of a post-apocalyptic hotel. In each world, he meets a different user with whom he will have quiet conversations, gradually revealing some of the conflicts that younger generations go through, such as uncertainty about the future and doubts about the purpose of their lives.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.