1985 – two years after the end of the military dictatorship in Argentina, leading members of the junta are tried in court. Ulises de la Orden creates 18 succinctly edited chapters from 530 hours of footage, bearing witness to state terror.
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
Maciste, the first, the one who appeared in Pastrone's film, Cabiria (1916), leaves the screen, evoked by the critic and film historian Steve Della Casa. He wants to know who he is and what he did. Della Casa will help him find his other self, that Bartolomeo Pagano, a camallo (unloader) from the port of Genoa who saw his life transformed by the meeting with the director Pastrone.
The year is 37 BC. A young Liburnian Volsus is taken by a Roman unit to help in what at first seems a simple task of collecting taxes, but the encounters with local Illyrian tribes soon lead to unexpected turns of events, as they show more resilience to subjugation than meets the eye. We see their archaic, emotional world of quaint and brutal laws and traditions through the eyes of this youngster, regarded by the Romans as a primitive barbarian, and gradually come to understand that their world is not all that different from our own.
A lonely teenage boy of divorced parents and an alcoholic mother makes friends with a mysterious man who moves into the flat opposite his.
After a serious accident Giuseppe is out of work. His son Antò dreams of being an archaeologist and thinks his father's glass eye is a sign he has superpowers. It's just the two of them now, since their beloved wife and mother Angela collapsed and died while working in the fields. Now they've lost their home, too, and have taken shelter in a tent city with other seasonal workers. Through all this, Giuseppe still summons up the strength to hug his son every night and tell him a story. He's promised Antò he will have his mother back, one day, and will do anything to keep his promise.
I Will Not Starve tells the story of a fallen chef, formerly a Michelin star, who returns to Turin following the death of his ex-wife and after several years of absence. While trying to mend the broken bond with his teenage daughter, he meets a tramp who introduces him to a new way of life, living freely and taking advantage of grocery store food waste to feed himself. Together, they will transform unloved foods into true masterpieces.
Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.
Luminita, a young illegal immigrant living on the edge of a shanty town, has hatched a plan to get herself out of her predicament. To carry it through she bumps into Antonio, a sick and mysterious old man. The clash between the two of them is unavoidable and harsh, and leads to unforeseeable consequences…
A feature documentary following Antonio de Benedetto, an Italian chef on a quest to change the world with food. His apprentices are aspiring chefs with Down syndrome, who travel from across Italy to train and work in hospitality and take their place at the table of life and find their pathway to freedom and independence.
In 2006 CBGB, the most famous rock club in the world, closed its doors forever. Everybody associated it with bands such as Blondie, The Ramones and Talking Head, but no one remembers that what made it legendary were the hardcore matinées in the 80s. Walter Schreifels, the musician of the most influential hardcore punk bands, tells us a story not only about some kids and their music but of New York and its changes, too.
The Chinatown in Milan is highly problematic, recording several murders a year, perpetrated with meat-axes, in the streets, by the light of the sun. When an Italian guy asks a Chinese girl's hand in marriage, this triggers a domino-like plot of confrontations among a crowd of characters. Starting from the focus on one of the largest and oldest Chinatowns in Europe, the film carries the spectators into a universal metaphor on hatred and dreams between West and China.
Until she was 16, filmmaker Chiara Marotta lived in a Christian community where everything revolved around prayer and reflection. Life was bound by regularity and rules that kept contact with the outside world to a minimum. The rebellious Marotta couldn’t stand it, but when she left, her grandmother, mother, and sister stayed behind.
