Kaval Film

An ailing communist reflects on a young boy childhood in Stalinist Yugoslavia.

The story of this political thriller takes place in the 90s and follows one night of the life of the Deputy Minister Nikola and his wife Ana.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

A well situated Macedonian doctor lives comfortably with his wife in Montenegro thanks to the money inherited from his parents. Suddenly, he faces with such unexpected reversals in life. His wife disappears without a trace, the bank where he keeps his money is bankrupt, the police confiscate his passport, and he’s being stalked by his wife’s father. Alone, abandoned and without help, he is taking a solitary journey.

An actor pursues his ex-mentor throughout Berlin in order to kill him.

Petra, who has made a life for herself in the big city has a crush on her office co-worker Igor and is trying hard to start a meaningful relationship. Her mother's visit from a provincial town in the south not only jeopardizes her efforts, but adds to the already palpable disconnect between the mother and daughter. But soon it will be New Year's Eve, and everybody is hoping for the best.

A filmmaker goes on the run rather than complete his latest picture in this offbeat comedy from Macedonian auteur Ivo Trajkov. A director (Trajkov) has grown weary of battling his producer for control of his latest project and decides to hit the road, borrowing his girlfriend's auto and stealing the production bankroll from the project's financiers. While at first the director claims to have a grand scheme for his ill-gotten gains, his plans take a serious left turn when he meets a strange young woman and an eccentric hitchhiker.

A man who believes his days are numbered is saddled with more bad luck than he expects in this metaphorical comedy-drama from director Ivo Trajkov. Ever since he was a boy, Josef (David Svehlik) was been convinced he's destined to die at the age of 29, so he's understandably nervous as his 28th year is drawing to a close. Fate doesn't appear to be on Josef's side when his wife asks for a divorce and moves out, taking their young son with her, and he's next fired from his job fixing scales. Josef is in an unsettled state of mind, and his new friendship with free-spirited Gabriel (Karel Zima) doesn't help much, but Josef begins to wonder if luck is on his side again when he meets a lovely and warmed hearted woman, Olivia (Verica Nedeska).

Milena, a successful photographer from Macedonia decides to visit Prague and surprise her secret lover. Instead of a warm welcome, Milena faces the emptiness of the city. Most of the time she is alone thinking of their relationship and waiting for her mystique lover to appear. The city slowly drives her into a paranoid journey in which she is forced to face her greatest wishes, desires and fears. Her life is spinning in circles. Alone and desperate, she decides to break that circle.

Mysterious Russian girl arrives in a small town with only one purpose to commit suicide in a most romantic way…

Is the right way always forward? Is there only one way in life we follow? Do we have a choice on that way? Can we choose our co-passengers? Are we all moving with our own average speed along this way?