When did you last talk with your father? Will you ever ask him about those things that hurt you? In FATHER the reality of life is turned upside down to create an impossible dialogue - the dialogue between a child and a father that never happens.
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
We hear the distant ring of Saturn.
A large threat is menacing the village. The mythical demon Garmah – part squid, part bird – has awoken and brings utmost darkness... The tribe shaman, disturbed by the vision of the mythical monster’s coming, chooses a young warrior who needs to go to the end of the world and find the White Girl, the only one who can help him conquer the demon and defeat eternal darkness. The journey is uncertain, time is scarce and the village shaman is talkative.
The Arcadian atmosphere of a hazy underworld hosts unusual characters: an Illusionist, a Civil Entity, a Wooden Puppet and a silent, but dangerous Swordsman. Their mysterious and bizarre experiences are an allegory of the relationship between the now extinct tradition of European combat swordsmanship and the doctrine of pragmatic political action. Is the end of the allegory also a beginning of an instructive misunderstanding?
Which image is real - the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.
In a dead and void dystopian world, there is a place where no one exists anymore, and everyone is just their own hallucination on the verge of disappearing.
Is the comfort of routine and the happiness it provides enough to keep us its slaves forever?
Astronaut of Featherweight is a dark vision of the hypercapitalist transhuman society in which body is a commodity and money is immortality. From space spa colonies to alien plantations, everybody is forced to take care of their bodies.
A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.
Displacement – the enforced departure of people from their homes, typically because of war, persecution, or a natural disaster. This film takes a look at an absurd moment of disbelief and fear. It examines the internal processes that develop and offers a visual depiction of a moment in time of a person forced to fight for his life in a strange land – a moment of displacement.
A satire that mirrors Europe’s pressing political issues through the daily ups and downs of relationships among neighboring cats.
Once upon a time there was a country… People lost it out of stupidity and greed and continued to live in the shadows of a once happy world. Now they are building a new society, but it seems history is repeating itself… Travelling Country is an animated fantasy fairy-tale about the quest for identity and freedom.
A group of forest animals set out on the adventure of learning to write. A squirrel, a tiger, a hedgehog and an elephant will write many wrong letters and scrambled words, and in the end, learn the importance of togetherness, perseverance and knowledge.
Cities I Haven’t Been To is an abstract travelogue that traces the skylines of unknown metropolises, taking the viewer on a virtual journey from Dubai to Dhaka and beyond. Unlike tourist postcards, these mental images stem from the filmmaker’s own memories and prejudices, coming to life in dreamlike flashes of abstract figures.
Among the garbage heaps of a big landfill on a Croatian island, Zoki uncovers a microcassette. A close study of the discarded object serves as a tribute to chance and imagination.
A badger is lying motionless on a local road. A police patrol approaches the body in the dark. They soon realise that the animal is not dead; the badger is dead drunk! When the police attempt to drag the creature off the road, he wakes up and things take a strange turn.
Everything that is alive is hungry; seed is hungry for light, bird is hungry for flight, man is hungry for the touch of another. The seed of longing grows into what feeds us.
Here There gives graphic form to memory’s malleable, straying lines. It begins as a traveler’s sketchbook, drawn in Croatia in the summer of 2014, but details soon fade away into abstract impressions on the edges of memory. This film is a reduction to the essence, a condensed feeling of one place and time.
The expansiveness of empty landscapes that call attention to their subtle forms in a dynamic macro-perspective, and densely built urban ensembles combined with fragments of dry instructions and inconspicuously urgent communications to create a reserved fictional meditation on the relationship between man and machine.
