Masterpiece

Johnny is a long-serving MI5 officer. His boss dies suddenly, leaving behind an inexplicable file which threatens the stability of the organisation.

David Hare concludes his trilogy of films about MI5 renegade Johnny Worricker with another fugue on power, secrets and the British establishment. Johnny Worricker goes on the run with Margot Tyrell across Europe, and with the net closing in, the former MI5 man knows his only chance of resolving his problems is to return home and confront prime minister Alec Beasley.

The second movie in David Hare's Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she's letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.

A woman moves to live with her new husband in 17th century Amsterdam, but soon discovers that not everything is what it seems.

Eustace and Dorrie Edgehill have decided to leave Samola, a British protectorate in the Pacific. After the failure of his latest harebrained scheme, no one is likely to give Eustace a job now. Or are they?

George Banks recalls his past life travelling in charge of a dancing troupe.

Young socialite Iris Carr befriends an older woman while traveling solo by train. When Iris wakes from a nap, the woman is gone and other passengers claim she never existed.

Lorraine Barrie, a fading but brilliant actress with a penchant for manipulating every theatrical endeavour to her best advantage, meets her match when she must trust her success to an equally willful stage director.

1965. The hunt for a missing school girl draws Police Constable Endeavour Morse back to the place which will ultimate define his destiny — Oxford. While Detective Inspector Fred Thursday leads the investigation, Morse begins his own quest, risking all in the hunt for a truth that will haunt him for the rest of his days.

Our Town is a three-act play by American playwright Thornton Wilder. It is a character story about an average town's citizens in the early twentieth century as depicted through their everyday lives. Using metatheatrical devices, Wilder sets the play in a 1930s theater. He uses the actions of the Stage Manager to create the town of Grover's Corners for the audience. Scenes from its history between the years of 1901 and 1913 play out. Originally broadcast on the Showtime Network, then as part of the PBS series "Masterpiece Theatre" (season 33, episode 1).

Bianca, a middle aged, elegant and beautiful woman, is bewitched with the craving for wealth, a desire she would go to any length to satisfy and secure. A home breaker, husband snatcher and conniving selfish gold-digger saddled with the burden of two male children, Sunny and Chuks from her first marriage, traverses the city in search of the man who can afford to tend to her craving after divorcing her husband.

Detailing the daily lives, responsibilities, and dress of the upper class, Alastair Bruce, historical Downton Abbey advisor, takes us on a journey through 1900s Britain.