Budapest Filmstúdió

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

Two arts students, András and Viktor who are writing their thesis on detective stories, make up a story and keep nagging the famous film-director, who just came back from Hollywood, until he undertakes the job. At night they work on the film, in which two youths kill a director returning from the US. In the morning the director is found dead - a knife in his back.

In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

A young doctor undergoes a spiritual crisis when he returns to his rural home.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

In this naturalistic satire enriched with burlesque, Boróka, the haircutting artist once cuts a hair so, that the customer has to be shaved bald. Sajtár Dezső wants to kill the barber, who feels to be a victim himself immediately. In his anguish he mixes up his apartment, his wife and everything in the uniform world of the block of flats and like a maniac, tries to find after his pursuer. They find each other at a neurological clinic.

Kicsi Dániel, the young virtuoso pianist gets a separate apartment in the ten-storey block of flats. He rehearses all the time, irregularly, day and night, disturbing thus the peace of the dwellers in the thin-walled house. Inquisition begins in the name of equal rights for inhabitants.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

Aunt Ilka, who likes company, opens her house standing in the middle of a six-acre rose garden in the little town for the golden youth of the town. As a result of her benevolence, the tenants are in the position to adore not only the roses but a nice bunch of to-be-married girls of the town.

Szegedi Anna, a lawyer having just arrived back from Naples wants to divorce his husband, also a lawyer, because since a hot night she has only been thinking of Laczkó, the handsome businessman.

A woman and her lover plot to kill her older husband.

Sándor Sára's meditation on loneliness and the human condition.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

Directed by Tamás Fejér

On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.