Jean Remy is a Haitian man struggling to find employment in Dominican Republic. Confronted with rejection and discrimination in the city, he sets off to try his luck in the countryside. Imbued with a naturalistic grace, this deeply sympathetic portrait speaks eloquently to the trials of humanity.
A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.
Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.
An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
A water polo feminine team trains intensely for a final competition. Eva, the team captain, wishes to win, but has noticed strange behavior from her teammates ever since trainer Omar's arrival on the team. Eva tries to discover the truth, but has no idea that she is facing a supernatural force, hungry for blood and violence.
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.
A love letter that unites Brazil and Cuba. In the film Travessias, the director goes on a long journey seeking to understand the feelings and transformations of a person who is close to her. On this path of doubts and concerns, she meets Justin, a trans man who will help her on this journey. With a poetic and self-referential look, the director invites us to rethink our own prejudices and limits in relation to the others.
Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.
Sergio Abel lives in a small town in Central Cuba and he videotapes his life. He is also a grade school teacher. A beautiful documentary that incorporates Sergio’s observations and footage and his student’s aspirations for the future with the outsider’s eye to tell his story.
Three stories about men and women in terminal situations.
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
Poetic documentary about the experience of a Puerto Rican film student in Cuba.
Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.
In a house where repression is the mandate, RICARDO (13) is complicit in IVÁN's (15) longing for his first kiss, but, in trying to help him confront his desire, he breaks the bond of brotherhood between them. Finally, reacting from the violence inherited from his father, Ricardo finds himself alone and unable to cry.
When Marushka enters Ivan's butcher shop, it's not to buy sausages. In the back room, vodka and waltzing and the pleasures of the flesh may lead the two lovers to the ultimate chop!
A young man reflects on his evangelical past imposed by his father when he begins to frequent an Adventist church in Cuba. The young man's existential resonances have repercussions on the fragile reality that this film essay attempts to construct.
In no particular time and space, a family fabricates goat cheese. The mother and the daughter pretend to sell the cheese in a lonely road, but they are really selling their bodies. They leave the hard worked cheese to decay in a pile of dirt and rot. The mother encounters existential desperation when the daughter departs with a costumer and the father prefers the company of the goats.
An intimate portrait of the lives of Delvys and Carlos, siblings who live alone with their elderly mother in a rural part of a small Cuban town. The film portrays a family engulfed in their inner worlds. Between the sacrifices they make out of love for those who are present, and their longing for things that are absent, they struggle to find meaning as they reflect, contemplate, and carry the weight of existence, trying together, to move forward.
