Vidéo Out

Women walk in protest against executions of Basque militants by Franco regimen.

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

At the fishing port of Lorient in Brittany, nearly 800 women work, filleters by day, fish sorters by night. Some testify to the conditions in which they exercise their profession, conditions almost unchanged for fifty years: in the cold, humidity and ice, standing, carrying heavy loads, and always without status.

Shellfish harvesters from the Marennes-Oléron basin (Charente-Maritime) testify to their living and working conditions: difficulties in the profession, distribution of tasks between men and women, advantages of co-detention, creation of an association to end their isolation and improve their status. Interviews and scenes of work at sea and at the "cabin" help to paint a moving portrait of courageous and energetic women.

The film presents a series of portraits of women working in traditional male jobs in the transport industry: the SNCF, the RATP, Air France and Air Inter, and at Paris airports. Each woman talks about her professional choice, her training, what responsibilities she holds, where she fits within the company, and her work relationships. They all underline the need to be organised to manage personal and professional lives, and the growing number of women who choose these jobs. They are on the whole positive and their views often inspiring.

A few hours after Sanchez Bravo's execution, his sister recounts the condemned man's last night. Otaegi's mother talks about her son's life and the last conversation she had with him. Txiki's mother speaks of the solidarity of her village, where she has lived for eleven years, a widow with seven children. She denounces the "phantom" trial, the torture and murder of her son.

August 1973, after the police move into the Lip factory in Besançon, one of the female workers, Monique Piton, talks about the four months of struggle, the place of women and the lessons she has learnt. She is also critical of the role of television.