Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.
Elisa has lived with Manuela for five years but they have to separate. This is the last morning they spend together where they will try in vain to say goodbye. Naked, among the steam, they will go through the domestic fights, the affection, the anger, the guilt, the jokes and the sorrows; they will look at each other in detail, trying to capture the last fragments of a relationship that melts away, that goes with the water.
GLEISDREIECK is a story about love, its different forms and the lies that are told in its name. In an austere audiovisual style, where the story unfolds supported by the performance of its three characters. Two very different departments located in opposite parts of Berlin, which Hedda visits to Petra and Zazie.
At the end of the Spanish Civil War, almost half a million people moved by fear of reprisals to France. A hundred thousand of them were children. The French Government overflowed by the human avalanche, put them in improvised refugee camps. Chilean poet Pablo Neruda, former consul in Spain before the war, convinced the President of Chile to save more than two thousand refugees. The film tells the story of Julia, a little girl that escapes Barcelona with his father, a young widower. They embarked on the Winnipeg, a ship chartered by Neruda. That saved them from a dark future in Europe. Now, she is “a daughter of Neruda”, as the descendants of the 2,200 refugees call themselves.
