Artoldo Pictures

The figurative artist Ugo Dossi presented his works in the field of metaphysics, astronomy and the cosmos, hypnosis, telepathy, tarot, alchemy, collective subconscious, Franz Anton Mesmer and Wilhelm Reich two times at the Documenta in Kassel and twice at the Biennale in Venice as well as in many other international exhibitions and museums. The documentary offers exclusive impressions and views into the atelier of the Bavarian artist and explains the deeper meaning of his artworks. Moreover, we are going to talk about the system and history of the tarot and the method of automatic drawing designed by the artist himself. Furthermore, we will have a look at the questions of relative liberty and the own me in correlation to the whole view of the universe.

A found footage / object film: the colorful 1960s in Italy, a joyful time, live-giving coating of born-again found images, re-animated, examined, reviewed in a past time, revisited.

Bibliotheca Philosophica Hermetica: More than 23.000 books in the fields of: Alchemy, Hermetica, Cabala, Magic, Rosicrucianism, Mystic, Theosophy, Freemasonry, Pansophy and much more.

A collection of 428 video artworks created by ARTOLDO crypto in memory of the super folk hero Luther Blissett (1994-1999). The work reflects on the different selves of the Luther Blissett pseudonym which was used by hundreds of left-wing artists in Europe to produce art, perform pranks, and publish books.

It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around. Such a pretty much postmodern sensation should have had Hazel in the Synecdoche, New York by Charlie Kaufman when she rents a burning house, which becomes quite her home yet with this persisting sense of precarity still not precluding to keep going. The experience is now translocated in another city, Turin. It still remains a burning house in a burning city, however it becomes home to someone.

A psychedelic agent discovers her Third Eye: a rollicking romp of antics between two secret agents colleagues. Only seemingly a low profile appointment. Half backroom and hail-fellow-well-met, half acutely yet inconspicuously earnest, almost solemn. After all it is matter of nothing less than briefing latest instructions concerning an untrained new approach to the missions, where the agents have to quickly master esoteric techniques for improving their insight abilities.

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.

Reversed gender surrender of an acid society that obeys mainstream restrictions and prescriptions of how and what to be.

Look into the deep black space of your Third Eye and start a journey to your inner self.

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

What if the gateway to Agartha would have been relocated to the very center of a billion busy alpha city metropole where fashion and financial districts meet? Horripilation? Not at all. Perhaps when the Italian sculptor Arnaldo Pomodoro envisioned his Solar Disc, an extraterrestrial intelligence was capable to align diverse terrestrial forces in order to bring them locating the magnum opus there where it actually is, concealing the very toran to that secret ruling world, in disguise among passer-bys quintessentially too blind for even just inquiring about the identity of the ruler of the Earth. Until a day, a female street performer declaims in the premises of the Big Disc the prologue by the French inquisitive mind of René Guénon to the narration about the King of the World. And the mechanism starts moving opening up the underground secrecy for everyman.

Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.

Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.

SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.

TEMPORALLY tells the story of an Italian thunderstorm through the eyes of a Japanese painter. The lightning itself fusions with its environment and creates a hypnotic point of view. The sound in the video was recorded on the occasion of the exceptionally high water alert in Venice, Italy. The alarm is composed of two parts. The first was the sirene in use under bombardments during WW2, whereas the second is designed by the University of Venice and should be heard during all the sleep phases, yet not causing any panic. The images themselves were shot during multiple thunderstorms in the mountains between Lake Lugano and Lake Como. So, an interplay of salt and sweet water. Furthermore, the title TEMPORALLY is a combination of the Italian word for storm "temporale", and the word for atmospheric weather "tempo" which in English means rhythm and rally, thus a race of lightning, in the end, following in a recovery.

Strange things occur tonight whether the paranormal phenomenon is the invisible invasion of aliens from outer space or light flashes of another dimension? We will never know. Are we alone or may we encounter extraterrestrial species that are coming at night to conquer our dreams, our body and mind? What are you afraid of?

A series of Moving Images against the war in Ukraine. Make Art Not War. Peace for the People. Freedom!

In the nearby future, the Gulf stream may certainly collapse in itself as the percentage of saltwater and sweet water in the oceans is changing dramatically. More and more glaciers are melting worldwide introducing an enormous amount of sweet water into the seas which causes a disbalance of the ocean water streams. There will be not only a rise of the sea levels which may flood coast by cities but also the "power engine" of the Gulf stream which is the "heating system" for Northern Europe is losing its force and energy. Therefore parts of the earth might become very cold and at the same point other parts too hot to live on. So the equilibrium of the earth's temperature is going to be mad. Is there any escape? Maybe leaving mother earth to explore the deep space of our universe? There will be neither sounds nor noises, only freezing silence as there is no echo, no resonance in space. 12x12 Moving Images = 144 moments of cold space

If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.

A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.