Gandahar 1987
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.
In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.
A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."
Twenty-something Freddy is becalmed in a podunk French village where the only sign of life is the local amateur brass band and youth aimlessly roaming around the countryside on scooters. He has an intense sexual connection with his girlfriend but has no joy or passion to give her. When she falls for a handsome Arab youth a tragedy unfolds.
While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.
Though gay-themed stories about "coming out" and accepting one's sexuality are not uncommon in Western countries, such tales are still rare in many conservative African nations. Considered a ground-breaking film in its native Guinea, and filmed amidst a storm of controversy, Mohamed Camara's Dakan is the first of its nations films to directly address issues surrounding homosexuality. The story centers on the romance between two 20-year-old men, Manga and Sory who are first seen making out in a car. The trouble begins when Manga tells his widowed mother about his love for Sory, who is busy contending with his outraged father. The parents insist that the two never see each other again. Manga's mother then uses witchcraft to cleanse her son and change him into a heterosexual. Time passes and eventually Manga begins to date a girl. But it soon becomes apparent that try as he might, Manga's heart belongs to Sory.
The death of a prince brings a young woman back to the palace where she was born into servitude. The lingering legacy is brought into light from behind frosted windows and velvet curtains.
A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.
World Chess Champion Akiva Liebskind (Michel Piccoli) faces his former pupil Pavius Fromm (Alexandre Arbatt), who defected to the West from the Soviet Union five years earlier, for the World Chess Championship in Geneva, Switzerland. The tension and strategies between the players draw parallels to the political conflicts and ideologies between East and West during the Cold War.
The 50 year story of a ballroom in France, from the 1920s. The people who go there is always the same, even the musicians. You can see all kind of people dancing all the fashion dances (depending on the age).
Hugo Santiago and writers Juan José Saer and Jorge Semprún move back and forth between Paris and the city of Aquilea in a shadowy fable about exile. The frontier between one city and the other begins to blur after Bandoneonist Rodolfo Mederos is visited by his sister, a member of a guerrilla organization.
Two boys (Tamir & Amine) awake one morning to find that their father has abandoned their family. Shocked, they begin to misbehave. While surreptitiously watching a movie, they think they see their father speaking to them and steal the film to examine the frames. Their mother (Achta) eventually despairs and sends them to Koranic school. Unhappy, they plan their escape until the eldest boy falls in love with a deaf girl (Khalil).
Dominican friar Etienne de Bourbon visits a 13th-century French village in search of heretics for the Inquisition. Despite the opposition of the local priest and the indifference of the villagers, he finds a seemingly perfect suspect: a young woman who lives in a forest outside the village and cures people with herbs and folk remedies. In the process, he discovers the cult of the greyhound "Saint" Guinefort, and confronts his own troubled past.
A porcelain table service and a painting from the 19th century pass from hand to hand and deteriorate over time, sealing the fate of different characters who cross paths in Paris.
The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a manuscript fragment, Hassan searches for the missing pieces, believing that once he finds them, he will learn the secrets of love.
Swaying between pleasure and despair, Elric throws himself into his pathological passion for the casino. Meeting Suzie could have saved him, but the young woman also sinks into gambling hell. The couple then start getting involved in the fearsome world of professional cheaters.
A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.
Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.