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Twelfth instalment of the franchise in which the main characters find themselves in a western-esque premise.

Tenth instalment of the franchise which portrays the far-from-average life of a Malagasy character in a humorous way, with suspense, fights, comedy, and adventures.

Seventh instalment of the franchise.

The Malok’Ila Zeparsa movie, while introducing new faces, remains faithful to the original spirit of the series. Among those new characters, Rajao Junior, bringing a new dynamic to the story as a courageous orphan, aged around 12 years old. His character, true spiritual heir of Rajao, combines comedy and intelligence, positioning himself as the ideal sidekick of the protagonist. Through a touching narration of daily life, the tribulations of adolescence and family dynamics, the film transports us to varied settings, from Nosy Be to Ankadivoribe, from Antananarivo to Bongolava.

Fourteenth instalment of the franchise.

A mishap caused a new argument between the two protagonists families and ended up postponing the marriage plan between Johary and Bakoly again indefinitely. This painful interlude aside, some collaborators of Johary and Bakoly with the complicity of Landy, in love with Johary, are doing everything to ensure that the couple's project does not succeed.

Third instalment of the franchise, following the life of Rajao and Randrenja's families.

Fourth instalment of the franchise, focusing on the troubles involving Johary, Bakoly and Landy.

Eigth instalment of the franchise, in which our main characters traveled to France to secure some fund for the church back in the countryside.

Portrays the far-from-average life of a Malagasy character in a humorous way, with suspense, fights, comedy, and adventures.

Fifth instalment of the franchise.

"The Return" deals with rural exodus, the return to the land, the antagonism between two worlds: that of urban dwellers and of the rural areas deeply rooted in tradition. Ranaivo lives in Antananarivo. To make ends meet, he sells ice lollies. his father, Ratovo, comes to the capital to ask for his son’s help. he needs money to organize the turning of the dead ceremony. After the village celebration, Ranaivo decides to leave the capital and emigrates to the highlands where everything is open to those who want to get back to the land.

Ninth instalment of the franchise.

Tabataba tells the story of a small Malagasy village during the independence uprising which took place in 1947 in the south of the country. For several months, part of the Malagasy population revolted against the French colonial army in a bloody struggle. The repression in villages that followed was terrible, leading to fires, arrests and torture. Women, children and the elderly were the indirect victims of the conflict and suffered particularly from famine and illness. One leader of the MDRM Malagasy Party, which campaigns for the independence of the country, arrives in a village. Solo (François Botozandry), the main character, is still too young to fight but he sees his brother and most of the men in his clan join up. His grandmother, Bakanga (Soavelo), knows what will happen, but Solo still hopes his elder brother will return a hero. After months of rumours, he sees instead the French army arrive to crush the rebellion.

A young woman works as a prison guard in a hopelessly overcrowded jail in central Madagascar. She passes the time daydreaming about her father, a murderer, who abandoned her as a child after killing his own brother. In her imagination, her father becomes a mythical killer, wandering the countryside and rolling enchanted dice to decide the fate of his victims. Secretly, she yearns for the day her father will turn up amongst the prisoners. When a new inmate arrives claiming to know her father, her fantasies begin to turn to nightmares.

A young man, barely entering the world of adults, feels lost in the modern prison of cities, houses and buildings and their system of complex bureaucracy and false meritocracy. Aspiring to a simpler life far from the masses and their madness, he will try to leave everything...

Two brothers in Madagascar have to repair their father's car before they get caught.

Eleventh instalment of the franchise.

How far can we go to get what we want? Joe despairs at not being able to save his daughter who suffers from an incurable illness. The meeting of a strange person who promises him a miracle then gives him a glimmer of hope. But it will also take him into an infernal spiral, taking with him two women in search of a new life.