Juris Podnieks Studio

Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.

A look back at the first years after Latvia regained its independence.

A film examining the game of doubles of democracy and capitalism since the restoration of independence in Latvia. Freedom from the USSR, pilfering the state, victory in Eurovision, joining the EU and NATO, the greatest crisis in the world – a quarter century of contrast and challenges.

The film is a sequel of the legendary documentary “Is It Easy To Be Young?”, which was created in the year 1986 by Juris Podnieks. You once again meet the heroes from the first film. How their lives have changed, have their dreams fulfilled? The film received prize in Leipzig film festival, FIPRESSI prize, nominated for Prix Europa.

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to gain independence.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game. "Right Hand Man" is a crime comedy about money, accounts and troublesome thieves.

Latvian Imants Tillers is one of the most important Australian artists of his generation, creator of installations, sculptures, paintings and graphic arts. His work is a kind of a world book – events connect and cultural references intertwine in a mutually interactive system, nurturing his own search for identity.

Rudolf is a 13 year-old boy obsessed with filmmaking. As a matter of fact, it’s the only thing he’s really fond of. His main interest is horror films, and he uses a special technique to make them – drawing each shot on long strips of paper. He shows the films on a slide projector with a special live soundtrack. Rudolf ’s story illustrates the conflict between the imaginary world of a boy and the society surrounding him, where everybody expects him to live according to certain rules and dogmas. How does he cope with it? The biggest surprise comes when the local priest asks Rudolf to make a film to be played during the service.

Folded, rewritten, thrown away, wrinkled, crossed out, stuffed in a pocket, handed to the book keeper, only to find out later that it was the wrong one; then written down, torn out, worn out, sometimes crumpled up, with morning coffee stains. The film’s protagonist walks around the pulp mill with jagged movements, performing his duties. “I doubt we’ll meet again. I really do,” he repeats to himself, addressing the void.

A film about the great 20th century sculptor whose work was inspired by the cubism of the 1920s, and her life story which contains all possible dramas for a creative person living in the previous century.

Vyacheslavs Kashcheyevs is a man who feels the world with each single one of his atoms and breaks the stereotype about physics as a dry and impersonal field of science. In parallel to splitting electrons in the laboratory, he seeks a connection to the Almighty, and is a dreamer, an exceptional scientist, family man and educator, socially active and civically minded. What allows him, unlike most of us, to be so harmonious and seemingly omniscient? Together with quantum physicist, theological authority and Latvian patriot Vyacheslav Kashcheyev, the film searches for the code to modern-day life.

A film about the attack on the Ministry of Internal Affairs in 1991 when Latvia was regaining its independence from the Soviet Union. Several people were killed in the attack, including two cameramen, Andris Slapiņš and Gvido Zvaigzne, who were part of Juris Podnieks's team. Who was behind the attack, and why has this matter not been solved yet?

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.