A young man has led his whole life with his grandfather. When he was in school, he was the only one who was refused to join the Youth Brigade, since his father was sentenced to death for spying. When it is time for him to do the compulsory military service, he has to do it in a platoon for "unreliable" persons.
A village shop owner is convinced by his children to move to Prague, where they say he'll be able to enjoy a fine retirement in a modern furnished apartment. Bored by life in Prague with nothing to do, the old man takes to helping a young widow in her stationery shop.
Venice Film Festival 1941
A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.
Venice Film Festival 1939
Rudolf Bartoš, the owner of a farm, quarry and factory, is extremely rich, however, he is unapproachable and irritable, and the dread of his employees. One day he falls down a steep slope by a river and hurts himself. The quarryman Fábera finds him groaning in pain and takes him to his cottage.
A painting of a girl from another time comes to life for it's buyer in this costume comedy.
"Grandmother" is a highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.
This romantic story turns on a stirring infatuation that takes hold of three young people under the influence of Simon, a Prague student. After the study year, 18 year-old Julio returns to his parental home, a little chateau on the Otava river. There he converges with his childhood friend Petr and the young boatman's daughter Klárka. Sharing her beguilement with Simon, who has quickly turned a tranquil summer atmosphere into a relationship drama, is Julio's cousin Rosa.
Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.
