October (Ten Days that Shook the World)

October (Ten Days that Shook the World) 1928

6.80

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

1928

The General Line

The General Line 1929

6.50

Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.

1929

The Ghost That Never Returns

The Ghost That Never Returns 1930

5.80

The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.

1930

The New Babylon

The New Babylon 1929

6.00

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

1929

Shame

Shame 1932

4.40

Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia

1932

Golden Beak

Golden Beak 1929

1

Directed by Yevgeni Chervyakov.

1929

Bed and Sofa

Bed and Sofa 1927

6.50

Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.

1927

Fragment of an Empire

Fragment of an Empire 1929

5.80

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

1929

My Son

My Son 1928

1

A man discovers that he's not the father of his wife's baby.

1928

A Sixth Part of the World

A Sixth Part of the World 1926

6.80

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

1926

Reis mistera Lloyda

Reis mistera Lloyda 1927

5.50

About the fate of a ex-Wrangel's White Army soldier who flees from the Foreign Legion and returns to the USSR.

1927

The Captain's Daughter

The Captain's Daughter 1928

5.00

An adaptation of Pushkin's historical novel about the Pugachev's Rebellion in 1773–1774.

1928

The Peasant Women of Ryazan

The Peasant Women of Ryazan 1927

6.60

The picture compares the fate of two heroines Anna and her lively and energetic sister-in-law Vasilisa, who openly defies the old way of life.

1927

The Rout

The Rout 1931

1

In 1921. With the help of Japanese interventionists, the White Guards defeat a Shaldyba partisan detachment. The remnants of the defeated detachment pour into Levinson's detachment. Partisan intelligence soon finds that the Japanese has surrounded the detachment. To save the main forces from defeat, Levinson decides to break through the chains of enemies.

1931

Lace

Lace 1928

6.00

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

1928

The Last Attraction

The Last Attraction 1929

6.50

A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists.

1929

Purga

Purga 1927

1.00

Siberia. 1919 The retreating intervention detachments and the English expedition leave the mines. A snowstorm begins. English engineer Henry and his fiancee Ollan, the daughter of the company director, are lagging behind. After much wandering, the heroes come across the winter quarters of the Russian partisan Vladimir. While waiting out the bad weather, the heroes will be forced to live together for some time. Ollan will be convinced of the worthlessness of his chosen one and the courageous, energetic Vladimir will become her husband. And ahead is spring and painful thoughts: to stay with your loved one in this country or return to your homeland?

1927

Katka's Reinette Apples

Katka's Reinette Apples 1926

5.40

A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.

1926