A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
Lore leads her four younger siblings across a war-torn Germany in 1945. Amidst the chaos she encounters a mysterious refugee who shatters her fragile reality with hatred and desire.
26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class. Engels, the dandy, provides the last piece of the puzzle to the young Karl Marx’s new vision of the world. Together, between censorship and the police’s repression, riots and political upheavals, they will lead the labor movement during its development into a modern era.
In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places.
Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
Writer-director Pablo Agüero's feature debut follows Inti (Joaquin Aguila), a 6-year-old boy caught up in the madness of post-"Dirty War" Argentina. Upon her release from prison, Inti's mother, Alba (Dolores Fonzi), a former dissident, whisks him away from his grandmother's care. Still unsure of her own direction in life, Alba takes Inti to live in a hippie commune in Patagonia. Velvet Underground founder John Cale co-stars.
1981, Quiberon, a small village on the coast of Brittany, France. Hilde Fritsch arrives to visit her old friend who has retreated to a spa hotel to escape the daily pressures of her life. Her friend is world-famous star Romy Schneider, but together, they appear like two regular women who are just happy to be reunited. Yet it quickly becomes apparent that Hilde is supposed to offer the support the sensitive actress needs to be able to truly face her own demons.
In the city of Jaffa; a young girl plans to run away with her secret lover, when a tragedy forever changes the course of their lives. Jaffa is a mixed Arabic - Jewish seaside city near Tel Aviv, where Reuven Wolf (Moni Moshonov) has a garage for repairing cars. His wife Ossi (Ronit Elkabetz), a vain, self-centered woman, just makes everybody's life difficult. The couple's daughter, Mali Wolf (Dana Ivgy), has secretly fallen in love with her childhood friend, the young Toufik (newcomer Mahmud Shalaby), a hard-working youth who has come as a helping hand to his Israeli-Arab father Hassan, a long-time mechanic working for Reuven.
Baran, a war hero, becomes sheriff of the capital and refuses to bow down to a tribal chief.
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.
This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.
Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.
Miguel and Johnny know each other since childhood. They are dedicated to skate and have fun. To earn easy money and continue skating, they sell their own blood to a clandestine contact in a hospital. The activity becomes business until a large transaction is not as they imagined.
Boris is stunned when his girlfriend Ana asks for some time apart. He doesn't know why and she can't explain it. Some time can mean so many things. How much time apart? A week, a month, years? During this imprecise period of uncertainty, Boris is left at the mercy of chance. His life transforms into an erratic urban journey: moving into a transient hotel, buying a temperamental communist-era car, meeting up with a long-lost classmate, random encounters with other women and repeatedly trying to get back together with Ana.
Before leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.
Aaron invites his girlfriend Lea and her 8-year-old son Tristan on a trip to the mountains. What could be a starting point of a new life together, slowly turns into difficult territory as the three fight for their positions within the new family.
Norbert Witte, once the king of the only amusement park of the former GDR, today he is behind bars in Germany. When fleeing bankruptcy in Berlin, Norbert Witte and his family secretly shipped their rollercoasters to Peru. Things went wrong here too. In a desperate attempt, Norbert tried to smuggle cocaine to Germany. Three years later his 23 years old son Marcel was sentenced to 20 years in a Peruvian prison. Now the father is doing everything he can in order to free his son.
During a medical examination, 13-year-old Aslan is humiliated in front of a load of his fellow pupils. The incident unleashes his latent personality disorder. Plagued by self-doubt, he strives for cleanliness and perfection and is obsessed with trying to control everything around him. His compulsion draws Aslan, who lives with his grandmother in a village in Kazakhstan, into increasingly difficult situations. He abhors the way most of his fellow pupils are held in the sway of a criminal scheme, in which Bolat, one of Aslan’s tormentors, is also involved. Bolat blackmails the younger children into paying him protection money; he has nothing but contempt for ostracised Aslan.
Zurich is a musical roadmovie about Nina, who discovers after the death of her great love, truckdriver Boris, he led a double life. Struggling with her feelings she comes to an almost unforgivable deed, and flees. She submerges into the truckers scene – not capable to express herself, except by singing.
