Lithuanian film studio

The film tells about the everyday life of the Vilnius utility company. The main conflict in the film occurs between director Valaitis and chief engineer Butkus, who opposes the director’s working methods.

Lithuanian schoolchildren were driving home, returning from an excursion. Not far from Minsk, the bus came under bombing. The war caught the boys far from home, by surprise. A turn in their destinies, knowledge of the harshest sides of existence... And the heroes are only thirteen years old.

After living in the city for ten years, Vilius returns to the farmstead, where his older brother Petras, the chief livestock specialist of the collective farm, still lives. An internal conflict with his brother, an overly energetic person, will not prevent Vilius from finding his place in life here.

The film tells about the life of the Lithuanian landed nobility in the period between the two wars, about the desire to live their old life. But new times dictate new conditions, new values ​​emerge, and loyalty to old ideals is doomed...

Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.

Paris, 1955. Fraudster Georges de Valera, hiding from the police, with the help of a correspondent for the reactionary newspaper Sibilo, poses as Minister Dubov, who allegedly escaped from the Soviet Union. Sibilo's daughter explains to Georges the purpose of the planned action: to slander progressive journalists with the help of the false Dubov. De Valera, not wanting to become a participant in the provocation, goes into hiding. But instead they find another candidate for the role of Dubov...

A sad story about love between Linas and Ruta - two young students in Vilnius.

The plot is based on the fate of the artist, reflected in art, which always accompanies people's lives, as well as dreams, pain or joy...

The rich widow Marta Anker, owner of a renowned trading company, loves the poor fisherman Ansą Balčiai. The locals keep the ongoings under close watch.

Lithuanian countryside in the 1950s. People live with mixed memories of an independent Lithuania, no one believes in the myths of a future Soviet Lithuania, but everyone clings tenaciously, out of inner inertia, to the opportunities offered by even the smallest personal farm. This is a film that subtly tells the story of love and the beginnings of a peaceful life in the countryside: the surveyor is tormented by Pranė, who has fallen in love with him unrequitedly, Amilia, who has fallen in love with Zigmas, but is married to the surveyor, Anicetas, the village philosopher, Bernasius, knows it all: if there is an eternal darkness, there is also an eternal light...

The main conflict is developing between the young talented scientist Romas Špokas and Karolis Budrys, who, by hook or by crook, is trying to occupy the chair of director of a research institute, organized for the widespread development of work on the implementation of Špokas’ promising scientific idea.

Summer 1940, Lithuania is already occupied by the Soviets. In the interrogation underground, interrogator Pijus Karpavičius is nervously smoking, while in another room two arrested people meet - priest Antanas and Kazys, the leader of the still-organising anti-Soviet underground.

The rise of a Lithuanian collective farm in the post-war years and the struggle against the remnants of the past in people's minds.

Clyde Griffiths dreams of climbing the corporate ladder and making his way into the highest circles of society. In order to fulfill his most cherished dream, Clyde is ready for absolutely anything, he will not even stop before committing a terrible and ridiculous crime...

Vabalas’s thesis film “Footsteps in the Night” (1962) portrays Kaunas in 1943, occupied by the German army. Alex, who recently returned to the city, tries to join the anti-Nazi resistance, but is captured and imprisoned. He soon starts planning his escape. Even though the screenplay was forced on him by his superiors, Vabalas managed to avoid creating an overly-heroic film. Instead, his work is filled with tension and complex characters. The film involved one of the most memorable scenes in Lithuanian cinema, portraying prisoners dancing by the fire. (Kino Pavasaris)

Late 19th century England. Relatives and guests gather at the country house of retired Colonel Houp. From London, where she lives as a "live-in" (her husband has left the country for a long time), comes the still young Molly Gwyn, followed by Morris Lever, the object of a flirtation that risks turning into an affair.

Two episodes about the relationship between men and women in Lithuanians soviet era.

The daily life of a provincial Lithuanian town in the 1960s. From preparations for two early summer events, dramas emerge in the life of each of the characters, who are forced to deal with conundrums.

Alyoshin, a Soviet journalist working in Argentina, witnessed the kidnapping of photo correspondent.