Buendía Estudios

Andres Cuadrado is an old-fashioned civil servant. Conservative and somewhat macho, he takes his job at the Ministry of Finance very seriously. He considers himself above all a person "as God commands" and, consequently, he takes it for granted that everything responds to a natural, hierarchical and immovable order. After an unfortunate confrontation with a colleague, Andrés is disciplined and transferred to the Ministry of Equality. There everything is totally new to him: there are no assigned places, no schedules, and everyone is a vegan. Andres will have a lot of catching up to do to adapt to this new order of things.

When Ricardo, a responsible father, decides to personally take his son to a camp in Asturias, other parents propose that he should also take care of their children. When the train is about to leave, Felipe, a flamboyant individual and grandfather of two of the children, shows up at the station.

Juanjo (Antonio Pagudo) is a forty-year-old man who, despite not having low self-esteem due to his baldness, his wife, Inma (Eva Ugarte), obsessed with image and aesthetics, is in charge of making him complex about it. On the other hand, his friend Sebas (Carlos Librado "Nene") is affected by his lack of hair and is willing to do whatever it takes to regain his younger version, something that affects his ex-wife, Sofía (Amaia Salamanca) , and their daughters. Ready for anything, both get into a little trouble to get the money to allow them to travel to Turkey and have a hair transplant. In Istanbul they meet Rayco (Tomy Aguilera), a young reggaeton singer who is having great success, but after discovering his alopecia at a concert, he needs an urgent hair transplant. In this way, the three of them will try to seek happiness through aesthetics, but perhaps they will discover that there is something far beyond the physical.

Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.

'Ellas' will go through fifty years of the history of transsexuality through the story of five women of different generations united by common moments. In the documentary, the unpublished tapes that Valeria Vegas recorded of ‘La Veneno’ to write her biography will be heard for the first time.

Jammed in a job they loathe and exhausted by all the social impositions that surround them, Bárbara and Luiz, in their twenties, decide to leave together for a friend's house seeking for emotional refuge. Inside the place, always full with extravagant parties, both externalize all their cravings and repressed desires.