Sasha is a young vampire with a serious problem: she's too sensitive to kill. When her exasperated parents cut off her blood supply, Sasha's life is in jeopardy. Luckily, she meets Paul, a lonely teenager with suicidal tendencies who is willing to give his life to save hers. But their friendly agreement soon becomes a nocturnal quest to fulfill Paul's last wishes before day breaks.
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom.
A Japanese-Canadian woman grapples with the death of her mother as she brings her family to a retreat. When her relationship with her husband begins to affect the children's emotional security, the family is changed forever.
Az works for an oyster farmer in Sète. He knows oysters by heart, he opens them by the hundreds. In one of them, Az decides to hide a ring, to ask his girlfriend Jess to marry him. She doesn't say yes. Fortunately, his band of friends are ready to do anything to help him get his head out of the water.
Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer.
An aging woman and her nurse develop a friendship that inspires her to unearth unacknowledged longing and thus help her make peace with her past.
Sweet Sixteen presents eight 16 year old girls that unveil themselves through 8 bittersweet monologues. All highlighted in a evocative and poetic setting, the characters deliver on different themes; self-image, eating disorders, anxiety, their first love, their first kiss, friendship, sorority, sex, rape, incest, social media, social and political revolts. Constructed as a symphony form, the piece of work goes through four movements and is musically supported. The strong visual identity forces the movie to define itself somewhere between full feature film and object of art. Sweet Sixteen is a cinematographic adaptation done by Alexa-Jeanne Dubé from the play of the same name written in 2018 by the late Suzie Bastien.
See You Garbage! is a dramatic comedy that resembles a revolutionary tale. An attempt to explore the encounter between the well-coated contempt of the political class and a sudden awareness of its people.
An elegant woman presides over a banquet whose increasingly surreal nature reflects ideals and anxieties about modern motherhood.
A former Catelli pasta factory, located at the confluence of Petite-Patrie, Mile-End and Little Italy, has over time become the refuge of many renowned artists, an important place of creation for contemporary painting. Montrealer. Chance encounters, proximity and exchanges enrich their respective work. But real estate speculation threatens the sustainability of these artists' studios. Fight to create, create to fight: this documentary opens the door to these inspiring places, which will soon no longer be so. A journey into the spirit of creation — despite everything.
Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
1987: While the other students wonder if new kid Robin is a boy or a girl, Robin forges a complicated bond with the school bully, making increasingly dangerous choices to fit in.
No-one wants to play football with Gaby now that she has breasts. Like every other year, the 13-year-old is spending the summer with her dad on a small island off the Canadian coast – and she is not about to pretend that she’s suddenly a different person.
Abdel’s quiet life is upended by the arrival of his extroverted cousin, who’s staying for the summer. Fatima craves a more stable life since she’s starting a new job as a supermarket cashier. Toussaint, while fishing, finds a bottle washed up on the shore, and there’s a message inside. Straddling the line between fiction and documentary, Les Rayons Gamma / Gamma Rays is a dramedy filmed with young, non-professional actors from immigrant communities.
When Gérard finds a dead raccoon in his front yard, the old man becomes strangely distressed, shaken by thoughts of his own demise. Jocelyne watches the despair of her husband grow along with his obsession with the animal’s body, and his anguish takes root in her own mind. After a night of torment, they decide to go and bury the raccoon on the land where their house once stood in Joutel, a former mining town deserted since 1998. When they get there, the boreal forest is creeping in on the ruins of her former house, plunging Jocelyne into a deep nostalgia. Here, after a morbid picnic marking the raccoon’s burial, the couple meets a mystical being who leads them to make peace with their inner demons.
Medical student Keity wants to become a surgeon like her mother and grandmother. But after her first operation takes a dramatic turn, she has to accept an internship at the morgue. Between her dead patients, her unconventional colleagues and seeing her grandmother’s spirit, will she tough it out?
In an anonymous city, a person collapses, appearing to have lost consciousness. Some strangers pass by, others embrace her. In a solitary quest for intimacy, blinded by a world of indifference, her gaze, her body are staggering.
Heart-broken following a break-up, Martine receives the unexpected visit of her mother, Monique. Too engrossed in her own sadness, Martine doesn’t notice right away that her mother is hiding something but, progressively, a bad feeling starts to take hold of her. During this short stay, these two very different women will have one last chance of getting closer to one another before they run out of time.
Babz Dubreuil, a lonely ex-convict, works as a cook in a brunch restaurant. At the encouragement of a colleague, she finds the courage to ask an attractive customer on a date. It might be the beginning of redemption.
Simone single-handedly runs a seedy motel, day and night, day after day. She is raising money for her 17-year-old daughter’s education. But when a stranger checks in, everything changes. He doesn’t fit in: he is well-dressed, he has money, and he wants a room for several days. But worst of all, this strangely familiar man seems a bit too interested in Simone’s daughter…
