After her father's funeral, Maarit plans to return to Thailand. On the day of the departure, she finds her mother Sylvi and her father’s taxidermy badger in a bar and Sylvi makes a revelation that may change Maarit’s departure plans.
It's almost Christmas but these three people are still on the road. The products don't sell, the car is a wreck and the weather is freezing. Moreover there is a problem: how to cope with an emerging friendship?
A shared moment by a fire in the remains of an Eastern Finnish rural community. The lines between light and dark, past and present start to waver. It Takes Years to Reach Us is a meditation on remembering while we drift on.
Somebody Should Do Something tells a story of insecurity and longing for freedom, of fear that drives people to poor choices. The main character, Elvis, falls for the new girl in class, Onerva. Seeking acceptance from his friends, Elvis lies and tells them he’s had sex with Onerva. Due to the lies and misunderstandings, the whole town is soon at a point where somebody should do something.
27-year-old Mona works alone at a remote grill, studies again for the upcoming entrance exams and endlessly misses her spouse Helga, who is on a business trip. A new employee starts at the grill, 19-year-old lively and unbalanced Leo, who in all his likability makes Mona miss her past.
Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.
Joy the Magic Clown’s faith in herself is being tested. But if you can’t believe in yourself, how can you believe in magic?
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
In the aftermath of a death, a home is cleaned out; the accumulation of a life is removed in bags and recycle bins. But what becomes of the collection of books? Laura Rantanen’s resoundingly moving and wistful documentary reflects on the end of life, what lingers behind, and the moments when a book breaks through the monotony to open the world around us.
Three friends celebrate midsummer together in a remote house. The next morning one of them is missing. Lila and Siiri recount their different takes on last night's events, trying to figure out where Riina could be. Siiri keeps trying to tell Lila something she is not willing hear.
Pathologist Abrikosov gets a phone call that a fly has taken a refuge inside Lenin's sarcophagus. No one knows how to get rid of it. Its Mayday 1936 and Stalin himself is about to come to inspect the body prior to Mayday festivities.
Helena is spending an evening with her family when someone knocks on the door. Unknown man confronts Helena with accusations towards her perfect family. Helena drives the man and the accusations away. But the seed of doubt has been planted.
Story about 29-year-old Krisu, who is quite lost in her life. Luckily, she has a indie band called Wendy and the Refugee Neverland.
Out into the big wide world as fast as possible. That’s Elli’s plan. But where should she get the money from, if not steal it? When Heze falls for her, she steals from him and both have to learn: “Adulthood is a big pain in the arse”.
Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?
A short film by Olli Ilpo Salonen.
The supermarket is nearing its closing time, and the last customers are queuing for their turn at the fish counter. The agonizing wait offers a chance for existential reflection and a little song.
A young man tries to drown out feelings brought on by his painful breakup but can't even seem to get rid of his ex-girlfriend's hair.
Two lovers living in separate countries spend their last day together, having sex and eating. A musical melodrama accompanied by Orthodox Christian choir music.
