Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
Nele is a young call center agent who moonlights as a cloakroom attendant at the State Opera. When she falls in love with the small-time street dancer Kolja, she must confront the demons of her past and descend into the underworld. At the same time, talent scout Höllbach notices Nele's singing talent and offers her a great opportunity for a career as an opera singer. Axel Ranisch's modern adaptation of Orpheus and Eurydice is a cinematic opera pastiche between Puccini, Handel and Christian Steiffen.
An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.
The ruthless gangsters of New York and the rough cowboys of the dusty prairie; the magic of cinema and the rich sound of a symphony orchestra. The Danish National Symphony Orchestra, conducted by Sarah Hicks, performs masterful pieces by legendary film composer Ennio Morricone, accompanied by Sonny Bono, Bernard Herrmann and Nino Rota.
Sharkey, part of the sinister world of child trade, picks up Vlado, an orphan of war, dreaming of freedom and a better life. They embark upon a strange and enlightening journey through war torn Bosnia. As they struggle to get out of the country and fight to stay alive, they find a special love and compassion from which emerges their ultimate moral and spiritual redemption.
In this Baden-Baden concert, Simon Rattle presents a sonorous snapshot of the European music scene in the early 20th century. It includes Richard Strauss’s self-confidently impressive Don Juan, sumptuous songs by Alban Berg, Ravel’s overwhelmingly sensual song cycle Shéhérazade and finally Stravinsky’s both groundbreaking and nostalgic Petrushka. The star guest is the Latvian mezzosoprano Elina Garanca.
A drug-addicted doctor who works in an asylum discovers that one of his patients is a gifted writer.
Claudio Abbado conducts the prestigious Berliner Philharmonikerfor during a concert dedicated to Beethoven. The programme includes the Piano Concerto No. 2 in B-flat major, Op. 19 with the Russian pianist Mikhail Pletnev whose dazzling technique adding to a delicate sensitivity merges instinct and intellectual rigour, and the Symphony No. 9 in D minor, Op. 125.
Documentary on musician Robbie Robertson.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2014 concert was conducted by Simon Rattle and featured Menahem Pressler. On the programme: Jean-Philippe Rameau: Suite from Les Indes galantes, Wolfgang Amadeus Mozart: Piano Concerto in A major K. 488, Frédéric Chopin: Nocturne in C-sharp minor Op. 27 No.1, Antonín Dvořák: Slavonic Dance in E minor Op. 46 No. 2 & Op. 72 No. 7, Zoltán Kodály: Háry János Suite, Johannes Brahms: Hungarian Dance No. 1 in G minor, Aram Khatchaturian: Gayaneh: Suite No. 1 Lezginka (Bonus: The Life I Love – The pianist Menahem Pressler).
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2010 concert was conducted by Gustavo Dudamel and featured Elīna Garanča (mezzo-soprano). On the programme: Hector Berlioz: La Carnaval romain, Op. 9; La Damnation de Faust “D’amour l’ardente flamme”, Camille Saint-Saëns: Samson et Dalila (Excerpts), Georges Bizet: Carmen (Excerpts), Manuel de Falla: El sombrero de tres picos, Ruperto Chapi: Las hijas del Zebedeo, Manuel de Falla: La vida breve, Agustin Lara: Granada.
One of Modest Mussorgsky's great talents was his unique ability to transpose words, psychological states, and even physical movements, into music. Kent Nagano rises magnificently to the challenges presented by this score. And Dmitri Tcherniakov's fascinating production emphasizes the timeless quality of this sombre tale of intrigue and power struggles reminiscent of a Greek tragedy, reflecting Mussorgsky's own maxim: "The past in the present - that is my task."
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1999 concert was conducted by Claudio Abbado and featured Klaus Maria Brandauer, Rias Kammerchor, and Rundfunkchor Berlin. On the programme: Ludwig van Beethoven: Symphony No. 7 in A major, op. 92, Allegro con brio, Antonín Dvořák: Symphony No. 8 in G major, op. 88, Allegro ma non troppo, Gustav Mahler: Symphony No. 5, Rondo, Finale, Igor Stravinsky: Firebird (parts), Maurice Ravel: Daphnis et Chloé, Danse générale, Sergei Prokofiev: Alexander Nevsky, op. 78, Alexander's entry into Pskov, Arnold Schönberg: Gurre-Lieder (Excerpts), Paul Lincke: Folies Bergères, March, Paul Lincke: Brandbrief-Galopp, Otto Nicolai: The Merry Wives Of Windsor Overture, Walter Kollo: Solang noch unter'n Linden.
On the 100-year anniversary of the death of Joseph Anton Bruckner, Pierre Boulez conducts the Wiener Philharmoniker in their interpretation of Bruckner's "Symphony No. 8." A complex masterpiece, the composition is considered one of the last great Romantic symphonies. Classical music lovers will delight at Boulez's beautiful rendition of the strongly emotional piece that remains true to Bruckner's original intentions.
In 1997, Oscar-winning documentarian Allan Miller embarked on a film project with renowned conductor Zubin Mehta and celebrated Chinese film director Zhang Yimou as they joined forces in a production of Puccini's opera Turandot in Florence. Before the year was out, an extraordinary opportunity arose: to stage Turandot in its original setting in the Forbidden City of Beijing. The outdoor production was an undertaking on an epic scale. A fascinating chronicle of an unprecedented cross-cultural collaboration, THE TURANDOT PROJECT combines the pageantry of this opulent opera production with a spectacular cinematic portrait of the struggles and triumphs of Zubin Mehta and Zhang Yimou to mount their production in this most historic venue of China. (Source: Amazon.com)
Thirteen-year-old Paula lives with her mother on a well-kept estate in a small town surrounded by nice neighbours. But Paula's view of normality has been sharpened by her extensive and consistent diet of horror movies.
“It would be hard to find anything greater, more significant or more moving anywhere in musical life today: total harmony of mind and heart, poetry and outcry, fear and consolation, knowing and feeling,” declared the Berne paper ‘Der Bund’ after this stunning performance of Mahler’s ‘Resurrection’ Symphony in August 2003 by the newly founded Lucerne Festival Orchestra. Claudio Abbado had formed this ensemble from famous instrumentalists, celebrated chamber-musicians and experienced soloists from the world’s best orchestras, and the event was sold out months in advance. The ‘Neue Zürcher Zeitung’ reported: “Once again the applause at the end was unequalled; the immense final chord … broke a tension that had lasted over 90 minutes without relaxing for a moment.”
