Dancing Dog Productions

Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.

As his country heads towards high-risk elections, Emmanuel Botalatala, the Minister of Garbage of Kinshasa (DR Congo), enters the last portion of his life. Having sacrificed everything for his art, he stubbornly tries to carry on with his work and secure his legacy for future generations.

Amani was 10 years old when he was separated from his mother Riziki after a traumatic night in Kinshasa. He was 20 when he arrived in Brussels to find her and continue his studies. Amani is haunted by the past. Riziki avoids talking about it as she now lives in a relationship with Raphaël. More passionate about art than his studies, Amani abandons them and drifts. Refusing to take the first step towards his mother, he flees the house and forms new friendships to end up under the wing of a car dealer. But his resentment turns against him, against the young woman he covets and ends up hindering the business of his new friends.

61 years after his assassination, Patrice Lumumba returns to his country. "Congo returns to Congo" as one of his children said. Lumumba was a nationalist leader who intended to use his country's enormous wealth for the benefit of his people. He became the first Prime Minister in the history of Congo on June 30, 1960, when the country gained its independence after 80 years of Belgian colonial rule. Seven months later, he was assassinated in Katanga province with two of his best political allies: Joseph Okito and Maurice Mpolo. Their bodies were dissolved in sulfuric acid and only one of Patrice Lumumba's teeth remained. This "relic" was taken from Lumumba's corpse and kept in secret by a police commissioner until his death in 2000. The assassination of the nationalist and anti-colonialist leader was followed by the advent of the dictator Mobutu, who was able to remain in place until 1997, thanks to Western support.

Through a critical look at the dynamics of the municipal council of Saint-Nicolas, in Liège, the system of party and power games is called into question, while denouncing the few truly political issues that emerge from it.