As head of the Organization for the Prohibition of Chemical Weapons, Brazilian diplomat José Bustani became an obstacle in America’s march to war with Iraq. Ousted from his position, he now revisits the chilling events that marked a turning point in global power structures.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
Located at the intersection of disability and queerness, this documentary enriches, implicates, and breaks open the conversation around sexual life in the disabled community. This film does not shy away from the complexities and challenges of queer life, but rather embraces them and in doing so, illuminates how they impact one another and bring new dimensionality to the position of the body within them. Resisting a normative lens, this filmmaker uses the observational power of the camera to document the raw sexuality, fantasies, and erotic expressions of a wide array of subjects with rare candor and vulnerability. Embodied sexual explorations are balanced against interviews that in their frankness and insightfulness criticize and deepen the lacking conversation around this intersection in the wider discourse.
Through the eyes and voice of biologist Janine Benyus, the non-fiction feature “Biocentrics” takes the viewer through different corners of the planet to reveal the birth and the principles that guide biomimicry, a methodology of innovation inspired by nature. As a hub connecting ancestral knowledge, diverse cultures, natural technologies and initiatives that choose the continuity of life as their premise, the charismatic activist proposes a common agenda, a new posture and a tool, which is the vanguard of contemporary science, to face the global challenges that lie ahead and putting life back at the center of decision-making.
The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.
With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.
A biography of Paulo César Farias, better known as PC Farias. PC was treasurer of former President Fernando Collor de Mello and was directly involved in the process that culminated in Collor's impeachment, deeply shaking the recently restored Brazilian democracy. The film features the participation of dozens of people who knew and lived with Farias, abundant documentation and exclusive archive material, which reveals the intricacies of Brazilian politics, focusing especially on the relationships between capital, ideology, power and organized crime.
In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
This documentary is the last feature film of the "Trilogy of Catharsis" - a documentary series by filmmaker Adriana L. Dutra. This film leads us to reflect on the way in which fear dominates humanity and how the system takes advantage of this feeling to manipulate the masses, exploring the appropriate aspects in each environment to achieve its goal.
