Barakacine Producciones

The story, based on true events occurred in Colombia en May 2003, tells the dreams and adventures of Porras, Venegas, Lloreda and Perlaza, four of the 147 soldiers that were in a company of the anti-guerrilla "Destroyer" battalion. It begun when these soldiers found in the middle of the jungle, during a rescue mission, 46 million dollars inside a FARC "guaca". Instead of give it to the Government, they take it all for themselves instead. They desperate when realize that they're completely isolated because the bridge, the only way to return to civilization, has been blown up. Everything's ironic, almost surreal: These soldiers don't have food, water, or toilet paper, but they sleep on their dollar-ful bags. This discovery will change their lives forever, and will allow them to have everything they've dreamt about: some authority, power and respect, others help their families and have a no-longer poor life. Their big challenge: return to civilization and make their dreams come true.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

In 1959, in Buenos Aires, Mabel, an employee of a ministry must travel to the field to get a contract signed by the rancher Antonovich. In that solitary house, guarded by a female motorist, she will live unexpected scenarios with intriguing characters that will change forever the course of her life.

Sumo, one of the most emblematic bands of Argentine rock, during the preparations and the unfolding of a historical concert: the presentation of their last album at the mythical Obras Stadium, recorded a couple of months before the death of their leader, Luca Prodan.

Renee returns home one Saturday after giving an early morning piano lesson. She lives in the provinces with her husband Juan and their five year-old son Santi. Over breakfast, they discuss a possible move to Buenos Aires but rule it out after Juan provides a reasoned argument against it. He suggests a family trip to the beach. Renee proposes for Juan alone to take Santi to the beach while she takes her ailing mother Virginia to the country. The film bifurcates as the narrative alternates between the two excursions. Renee picks up Virginia at an assisted-living facility; they drive to a rustic cabin, sit by the fireplace and later take a walk in the forest. Juan and the inquisitive Santi travel further, to an almost empty beach, walk down a pier, build a castle out of sand, and meet two fishermen who entertain the boy with sea tales and teach him how to gut a fish.

It tells the story of two cousins ​​in bankruptcy, who kidnap Luis Aguilé obtained assuming a large ransom and, awkwardly, ending in a small town where they will live a story that reaches beyond the madness of kidnapping.

Documentary about the figure and work of Alejandro del Prado. Why was his career cut short? What are the keys to your art? What metaphysics beats the popular musician who claimed he wanted to be like Johann Sebastian Bach, but couldn't?

The fascinating story of Luca Prodan, Italo-Scottish Idol of Argentina's mythical Sumo Rock Band, and innovator of Latin American rock. His past as a pupil in Gordonstoun, Scotland's elitist college. His rebellious adolescence and fatal flirtation with heroin. His London years in the heart of the Punk explosion, and miraculous 're-birth' in dictatorship-ridden Argentina. South America's Ian Curtis... with a twist.

In 1977, the famous Argentine cartoonist Héctor Germán Oesterheld, author of El Eternauta, was kidnapped by the military dictatorship. While being transported through a dusty road somewhere in the province of Buenos Aires, one of his captors and companion reads one of his own adventures.

Buenos Aires in the year 2002; the economical depression has caught the country. Elsa keeps her head above water through several badly paid jobs and occasional criminal offenses with her friends Walter, Laura and Toni. She's saving money for a ticket to Rome to get out of her life and visit an Italian with whom she had a one night stand several months ago.

In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.