Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using 'The Birds' as an essential metaphor, DOUBLE TAKE traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day.
Zsuzsi and Sàndor are well-integrated foreigners: successful at work, the children healthy, their own house freshly made. But it does not work in bed anymore. A couple therapy could help. It quickly becomes clear that the happiness of the Barabássy couple is only seemingly perfect. Sàndor's dreams are too big and too materialistic, Zsuzsi's longing too indefinite to be satisfied. Luckily, Zsuzsi's mother in distant Budapest does not know about all this. Zsuzsi and her often talk on the phone - the only opportunity to exchange their native language. That changes when Zsuzsi's old friend Rita turns up unexpectedly with her boyfriend Istvan to shoot a documentary about Hungary abroad. All at once, the home is so close and your own husband so far away.
