Metrosexual jologs (or country bumpkins) Joven, Rodel and Cris move to Manila to make it in the big city in this comedy that pokes fun at modern Filipino society. At odds with almost everyone they meet, the outsiders struggle to fit in no matter how hard they try. Luckily their gay hairdresser Vitarich is there to dole out pearls of wisdom.
One night while at the baths, young campus nerd Rico meets heartthrob Cris, the chemistry between them is immediately hot and intense. Once that fire cools Rico thinks he has found the ideal man but finds himself on a roller coaster ride of love, jealousy and infidelity as Cris continues his conquest of the baths. Made in the same guerrilla style of his earlier film, Cris Pablo once again uses striking images and strong characters to tell the story of gay life in the Philippines.
A gaggle of friends and observers ponder the fate of a relationship as they watch it collapse in this independent drama from the Philippines. Cris is a documentary filmmaker with a well-regarded body of work and a large community of friends and admirers. Cris is also gay, and possesses a voracious sexual appetite, claiming to have had sex with over 4,000 men during his years of frequent cruising. But Cris has fallen for Eric, and has sworn off meaningless sex for the pleasures of monogamy. However, while Cris wants Eric and Eric alone, Eric himself isn't so sure he feels exactly the same way and is both puzzled and annoyed with Cris' rather ironic jealousy. The tensions between the two take a heavy toll on Cris, leading to a suicide attempt, and as his friends watch from a distance, any number of them speculate on what's going on between Cris and Eric.
When six girls and a guy all teenagers are found with their wrists slit on a high school playground, it's left to their guidance counselor to try to make sense of the mystery behind the apparent suicide pact. Told in nonlinear fashion, the story uses a multitude of perspectives interconnected flashbacks from surviving students to illuminate the desires, fears and insecurities that led to the devastating act.
