Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.
The foundation in Madrid of the Institute of Investigations and Cinematographic Experiences (IIEC) in 1947, has been the most important event in the history of Spanish cinema. From there would come directors such as Luis García Berlanga, Juan Antonio Bardem, Carlos Saura, Miguel Picazo, José Luis Borau, Mario Camus, Antonio Mercero and Víctor Erice. Through their first film practices, we will learn about the history of the school and an entire country.
Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.
The first work from Fernando Franco revolves around Ana, a 30 year old ambulance driver. Though good at her job, Ana has problems relating in her personal life. She doesn't know it, but she suffers from a condition known by psychiatrists as Borderline Personality Disorder. The situation pushes her to outbreaks of self-destructive behaviour, alcohol abuse and self-harm. Ana is incapable of getting what she wants most: to be happy.
A reflection on love and identity with detours towards magical realism, which winks at the oral tradition of coastal populations and introduces us to Leo, a young 21-year-old sailor who revisits his relationship with Jimena after his great-aunt reminds him of his favorite myth from when he was a child: the story of the nereids.
'Iragan gunea Berlin' follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.
A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.
Late 2005 in Kuartango, a remote valley in the province of Araba (Basque Country). Two men pledge to make an old dream come true: to shoot a western. With neither money nor technical crew, they convince their community to play some of the characters in the film.
We invited a group of people to a reading of the script of a film about a man who romanced women in order to swindle them. As the reading progressed, people began to dig into their own stories. The whole thing was recorded live. The result is a shared reflection on the ideal of romantic love and the extraordinary (and not necessarily positive) influence it has on men and women.
A documentary on the work of filmmaker Basilio Martín Patino.
In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, they discover a museum housing the expatriated paintings of the most important Filipino artist of the revolution. Eventually, the Spanish couple disappears toward their colony. Inspired by one of the earliest teleportation accounts, which happened between the Philippines and Mexico during the colonial period.
Flor, the sister of José Humberto Baena, continues the tireless struggle that her parents took until the end of their days: vindicate the innocence and memory of her brother. Baena was a member of the FRAP and was shot on September 27, 1975 after a summary war council. He was accused of the attack that killed policeman Lucio Rodríguez. In the process, no material evidence was presented nor was there any witness. Xosé Humberto always maintained before his family that he was innocent.
