Zeppers

Man is busy, busy, busy. Until we lie down flat on our backs for a while, in the dunes, in a farmyard, beside a fire engine, in the park or on the banks of a canal. Watching the bank of clouds drifting by or the planes forming persisting contrails in the sky, daydreams, outpourings and contemplations inevitably bubble up. With the sky as a mirror for prostrate man and with the lying man as a mirror for the viewer, this documentary draws a loving portrait of human beings briefly making contact with themselves.

A documentary road movie composed as a pop album. Twelve text snippets by Bob Dylan give just as many fans a basis to elucidate their relationship with the legendary folk singer who then turned 65. This produces a portrait of Dylan followers in the US, which appears to be as divers as the population of this dominant world power. Two schoolgirls that sing to their idol, a therapist that bases his lessons on Dylan, an ultraconservative website administrator, a soldier packing his things for Iraq and some figures that have placed themselves, consciously or not, outside society. Dylan himself is conspicuous by his absence. The tumbling cardboards with text scraps refer to the music video of Subterranean Homesick Blues from DA Pennebaker's Dylan portrait Don't Look Back (1967). It gradually becomes clear that you can always put yourself in the right with Bob, because everybody can distil their own truth from his lyrics, as long as you interpret them creatively.

Robert van Gulik (1910-1967) is one of the world’s most read authors from the Netherlands. This diplomat, Sinologist and scholar is mainly known for his detective novels, starring 'Judge Dee'. Filmmaker Rob Rombout follows in his footsteps to discover the author’s legacy - via his diaries, the people he inspired and those who witnessed his extraordinary life.

This poetic, erotic film devotes a visual hymn of praise to the female body.

One day, Dutch film maker van der Horst was given her inheritance: 6 square meters, one sixth of a small, wooden house in the Russian countryside where her mother grew up. It was as if life had handed her a card she felt forced to play. She began a journey into the past, back into the childhood of her Russian mother and her five sisters, all of whom struggled with fear, famine and war in Stalin’s Russia; experiences that left them scarred to their very soul. Aliona’s quest into the lives and fate of her family becomes a loving, poignant, and poetic film with Chekhovian characters. Accompanied by the magical animation of acclaimed Italian artist Simone Massi, unimaginable events in the Soviet past are given an immediate charge. Along with the stories of ordinary people living in the small farmhouse, the film maker tells the tale of Soviet terror, immense bravery and a fear that has never left those four walls.

A personal documentary by Denise Janzee, made in an attempt to get closer to her mother Willeke van Ammelrooy. On movie sets and on screen, Denise saw her mother cry, laugh and fight. At home, however, Willeke shut herself off when she was sad. “I’ll only come back out once I’m smiling again. Such is my way,” she used to say. The only time Denise really saw her cry was at the funeral of her father Leendert Janzee. He committed suicide when Denise was six years old. His decision to do so wasn’t unexpected, but his death nevertheless meant the ultimate loss for Willeke. She had wanted to let him live through her love. She feels defeated and locks herself in until she is ready to face the world again. Meanwhile she expresses herself through her characters. In this compelling film mother and daughter look back on this deciding and emotional period in their lives, illustrated by home movies.

In How to Meet a Mermaid, the sea becomes a haven for mankind, locked in its struggle with its 'indifferent universe'. Lex, Rebecca, and Miguel each have their own reasons to lay their lives in the hands of the capricious waters. The question remains, however, whether they will find what they so anxiously seek underneath the surface of the waters.

Is living in the big city as impersonal and lonely as some say? Why is it so hard for New York women to find Mr. Right? This charming documentary follows Annie, Leigh and Laurie, three single women who know what they want, on their quest to find Mr. Right.

The documentary focuses on the struggles of those who survived the long siege by German forces during World War II (from 8 September 1941 to 27 January 1944). The three million inhabitants of Leningrad (now renamed St Petersburg) suffered extremes of starvation and deprivation.

A top executive who can't bear to regard himself as a loser, even after nearly dying in the New York marathon; a woman unable to cope with the loss of her wealthy status after her divorce; and an ambitious financial couple confronted with their unresolved family matters. Every Sunday, in their upper class Bloemendaal church, the cutting sermons of reverend Ad van Nieuwpoort shake their faith and existence to the core. What drives people to be crushed by the weight of their ambitions?

Documentary on the ‘forgotten’ artist Berthe Morisot, who was the only woman among the founders of impressionism. Her life was riddled with obstacles, but she eventually succeeded in reaching her goals in life. Still, shortly before dying, she said that she had failed in life. What had prevented her from becoming successful and happy? Was this the dark side of her enormous commitment and drive?

The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.

A family must come to grips with the suicide of their eldest son. What drove the outwardly relaxed and happy Arie to his deed? For two years we follow his younger brother Gijs, mother Denise and father Arjan while they try to turn despair into meaning.

Five lively kids use art to escape from the Mandela Park township in Cape Town, South Africa.

A political essay on the absurd dilemmas presented by asylum policies. In a classroom, migrants’ illusions are dashed against the rocks of European arrogance.

This film is a triptych with three stories, involving three characters. They live in different parts of Europe: Western Europe -Catalonia (Spain); Eastern Europe -Lithuania; and in the new Europe -Georgia (Akhazia). They have experienced, in different parts of the 20Th century, civil wars and dictatorships. They share the same fate: they stayed where they were born. This film is about people who decide to do nothing in times of war, oppression and occupation. They choose a life amidst the ruins of their past. Even when this choice leads to loneliness: living a dream, not a reality. Alone, between the graves of their loved ones, they spend their last days. They have frozen their lives by protecting themselves from the outside world.

In the heart of the Eurasian continent, the ancient center of the world where the Silk Road connected China to Europe, the circus is a deeply rooted cultural phenomenon. This film focuses on two circus artists, whose lifelong friendship under the dictatorship in Uzbekistan is affected by the differing political choices they make under the dictatorshop in Uzbekistan.

In the heyday of the jute industry, millions of people in Bengal made their living doing this laborious work, which has hardly changed since the industrial revolution. The 100-year-old machinery has been endlessly repaired. State aid kept this sustainable alternative to plastic going, but its future looks bleak.

In the Netherlands, the final year of elementary school means turmoil for the pupils and their parents. There is no escape from the pressure on children to score as high as possible on tests to get into the best secondary schools. Parents who can afford it pay for as many private lessons as possible; other parents put pressure on the teachers. This documentary shows pupils and parents from very different backgrounds going through this process. They struggle anxiously for the same goal: the best possible start in life.

The former KGB archive in Kyiv was made public in 2017, allowing Ukrainians to view their personal dossiers from the Soviet era for the first time. For many older citizens, it was an opportunity to get answers to questions that had been haunting them for decades.