Sovkino

A compilation of newsreels shot between 1913 and 1917 - the years leading up to the Russian Revolution.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society".

The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

Also known as The Old and the New (Staroye i Novoye), The General Line illustrates Lenin’s stated imperative that the nation move from agrarian to industrial culture in an epic ode to farm-collectivization progress.

The picture compares the fate of two heroines Anna and her lively and energetic sister-in-law Vasilisa, who openly defies the old way of life.

This SovKino production was a major early experiment in Soviet historical film about the oprichnina period of Muscovite history, combining the costumed drama and Gothic thrills of the genre with historical materialist commentary on the dialectical collision of scientific progress and patriarchal religious tyranny under Tsar Ivan the Terrible. It follows a self-taught inventor from the serf class Nikishka, whose efforts to build a flying machine incite accusations of witchcraft. Nikishka and his beloved Fima are persecuted by the feudal lord Kurlyatev, who took their village in a petty land squabble. They’re rescued when Kurlyatev’s lands are taken by the Tsar in his autocratic campaign against the feudal system. Ivan puts Nikishka to work in his linen mill, where the young serf is coveted by Tsarina Maria Temryukovna, who the Tsar’s been ignoring in favor of his cupbearer Feodor. A series of harrowing intrigues wind a bloody dance through bedchamber, feast hall, cathedral and dungeon.

Life changes for a Moscow couple after they allow an old friend of the husband’s to move in.

About the fate of a ex-Wrangel's White Army soldier who flees from the Foreign Legion and returns to the USSR.

Since director Sergei Yutkevich was a longtime lover of American slapstick, his first films were imbued with a playfulness and cheeriness not typical of Russian cinema. And Kruzheva is a good example of that as he illustrates the friendly rivalries between the youths on village in both a very rough and clowning way.

Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel. The officer attempts to save his life by marrying Natalia’s sister Ekaterina. Returning from his country estate, Pushkin receives anonymous letters and insists on a duel with D’Anthès.

During the Civil War following the Bolshevik Revolution, a Red cavalry officer is warned by a staffer from headquarters about his dangerous attraction to the female leader of a band of Cossacks, a violent woman who is aroused by killing.

A travelling circus troupe during the Civil War. A kommissar tries to transfer the wagon into an agit-prop van. The Whites conquer the town. The kommissar hides among the artists.

Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia

A boy is sitting at a table, writing a letter for Boris Prutkov. The cartoon follows the journey of this letter from Rostov to Leningrad, where its addressee Prutkov has just left for Berlin; when the letter arrives in Berlin, Prutkov has just departed for London; as the letter arrives in London, Prutkov is already on a steamboat to Brazil, and once the letters is delivered by postman Don Basilio, Prutkov is already on his way back to Leningrad– where the letter, having followed Prutkov around the world, finally reaches him. The film sings a song of praise to the global postal services and to the reliability of the postmen, but it also tells the story of a journey around the world, returning once more to the new Soviet capital: Leningrad.

An adaptation of Pushkin's historical novel about the Pugachev's Rebellion in 1773–1774.

An adaptation of Evgenii Zamiatin’s short story “The Cave,” about a musician dying of hunger in his large, unheated Petersburg apartment because he was not needed in the revolutionary city.

Adventures of a Nenets boy, who returns to his homeland from Moscow an educated young man.