An army of bear cubs train and indoctrinate young recruits for the war against the unicorns, which threatens the safety of the cubs. Brothers Bluey and Tubby, along with a group of inexperienced cadets, are sent on a dangerous mission to save the Magic Forest, where the unicorns live, and start a terrible battle.
The countryside isn't always as calm and peaceful as it's made out to be, and the animals on this farm are particularly agitated: a fox who mothers a family of chicks, a rabbit who plays the stork, and a duck who wants to be Santa Claus.
Michel, a murderous womanizer, meets introverted Gloria online and treats her to a whirlwind one-night-stand. Offering herself as an accomplice in his seductive crimes, the unhinged lovers embark on a deadly odyssey amplified by wild sex, unbridled jealousy, and passionate forays into the dark arts. This smart and gory shocker breathes new life into the lovesick horror genre to serve up a chilling tale of white-hot desperation and terrifying devotion.
Paul lives with his mother in the private clinic of doctor Loisel, deeply hidden in the woods. Paul likes to roam the forest and observe nature. One day Gloria, a schizophrenic teenager of around fifteen years old, arrives, and Paul falls in love immediately.
In Borneo, near the tropical forest, Kéria rescues a baby orangutang in the palm oil plantation where her father works. Kéria's cousin Selaï comes to live with them seeking refuge from the conflict between his indigenous tribe and the logging companies. Kéria, Selaï and the little orangutang, now named Oshi, will have to fight against their forest’s destruction.
A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.
Indian and Cowboy finally pass their exams. Horse buys them tickets for the County Fair. But at the last moment, he slips and comes crashing down on his head. He wakes up with no idea where he hid the tickets. So begins a race against time for them two to find the passes before it's too late.
Indian and Cowboy are about to set off on a magnificent cruise on a luxury liner, but they have made a big mistake. They completely forgot that today is the first day of school! Goodbye tropical islands, our friends are back at their desks in school listening as the teacher drones on and on.
School is out, and Indian and Cowboy are bored. Watching an old pirate film gets them out of their funk and they decide to build a ship and go off on an adventure. But their first try is a disaster. With the help of some animals, they finally manage to launch their proud vessel and everything is ready for their departure. But of course, nothing goes to plan... And the catastrophes come thick and fast.
AJ, a shy teenager, meets Kristen while in high school in Los Angeles. Kristen is passionate about surfing… and she’s the most beautiful person he’s ever met. He falls madly in love with her. As life seems to finally come together for AJ, Kristen’s life starts falling apart, shattered by illness. Together, they will fight adversity with dignity and enjoy their now-shared passion for surfing and for the ocean, but also their loyal band of friends… even when they know Kristen is doomed. This is what happens when love and friendship become a wave stronger than anything.
A still frame, the hallway of the gray, dull house of Horse, Cowboy and Indian. Cowboy and his crazy stooges fill the place, giving it life and color. Until a troublemaker enters and ruins everything.
Jean-Michel, the Woodland Caribou and superhero, watches over Vlalbonvent and its inhabitants. One day he meets Gisele, a beautiful she-camel and hospital nurse. It is love at first sight, but how can Jean-Michel overcome his shyness and declare his love?
Olivia, a 12-year-old middle class girl, is forced to reorganize her basic needs when her family (mother, little brother and herself) is evicted and forced to live in a squatted apartment on the edge of the big city, in a rough neighborhood. Her mother can no longer bear the situation and falls in a depression, so Olivia has to replace her. It means caring for her brother and her own mother, while dealing with the feeling of an emotional earthquake. But she is not alone, Olivia will make friends that will help her to see her own life from other points of view. Because things don’t always happen the way we want, but we can choose the way we live them.
Fleeing their village, two children set out as their father did, to seek a better world. It is the beginning of a long journey for these two “migrants”. They will meet the capitalist ogre, the snake-smuggler, the treacherous sirens or the metal fortress. They also encounter other travelers, the Peacock or the Silent One. Together they will walk the long and steep road to the Promised Land, with the caring help of the Shadows.
A portrait of Vincent Patar & Stéphane Aubier, the two joyous and iconoclastic masters of animation, authors of Pic Pic André, Panique au village and Ernest & Célestine, accompanied by all their partners and collaborators.
Illustration of the song 'Tout l'amour' performed by Dario Moreno.
