The story of Jesus Christ, from the proclamation of His Nativity to His Ascension into heaven. Impressive staging and beautiful hand-coloring distinguish the film from its Passion-play counterparts; Its scale and dynamic crowds prelude the Italian epics to come.
An early Pathé version of Don Quixote told in 15 chapters.
Directed by Albert Capellani.
Directed by Albert Capellani.
Adapted from Hugo's eponym novel, the story concerns a Guernseyman named Gilliatt, a social outcast who falls in love with Deruchette, the niece of a local shipowner, Mess Lethierry. When Lethierry's ship is wrecked on the Roches Douvres, a perilous reef, Deruchette promises to marry whomever can salvage the ship's steam engine. Gilliatt eagerly volunteers, and the story follows both his physical trials and tribulations.
At school in Brienne. On the bridge of Arcole. The campaign in Egypt. Passage of the St. Bernard Pass. Garden party in Malmaison.
A trick film using the reverse effect.
Le comte de Monte Cristo (15 Episodes). Monte Cristo, based upon Alexandre Dumas' novel of the same name, tells the story of Edmond Dantès, an innocent man jailed for 14 years after being wrongfully convicted. He succeeds to escape prison, finds a treasure on the isle of Montecristo and wreaks revenge on the ones who put him in prison.
A pregnant woman steals things from others on account of her cravings.
Jean Valjean, guilty of a minor theft of food, is pursued and hounded for years by a relentless lawman, Javert.
Based on Emile Zola's novel, an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s.
The rebellion of 1832 is on. There is rioting and barricading in the streets. Marius in despair, and in the hope that a bullet will soon end his life, joins the mob and becomes a fighter in the ranks of the insurgents.
Misanthrope Raymond Ferray's life of peace and quiet is disrupted by the arrival of his new neighbors the Rovels. Lady Rovel designs on marrying her daughter Meg to the much older Marquis de Boisgenêt. Her mother agrees not to force her, however, if she can find a suitable alternative. Raymond, who despite himself has taken a great interest in Miss Rovel, helps her to find one.
The story of two men, one married, the other the lover of the other's wife, who meet in the trenches of the First World War, and how their tale becomes a microcosm for the horrors of war.
A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).
A young woman receives a message, and hurriedly leaves home. But the message was a trick to lure her into a trap, where she is assaulted and killed. When her body is found floating in the river, it is brought to her father. Once he realizes what has been done to his daughter, the father immediately sets out in an effort to extract vengeance.
An enthusiastic young couple is astounded with modern technology's giant leaps in the fascinating field of electricity.
La Glu tells the story of a woman, separated from her husband, and of evil reputation, who at a summer resort tries to capture the fortune of a wealthy aristocrat whose nephew had been in love with her, and is herself caught in the toils of her interest in a poor and primitive Breton lobster-fisherman. His simple soul discovering the past career and the heartlessness of the Parisian woman, in despair he tries to kill himself by throwing him-self on the rocks. When the Glu, the name given to the woman in question, tries to see the youth, his mother kills her with a mallet on the steps leading to the room of the invalid.
In this one, Max is engaged to a girl -- called, as in all his shorts, 'Jane' -- and she loves her pussycat. She loves the lazy, immobile lump of fur in a way that only cat lovers can, and which is a mystery to us normal people. She pets it, she croons to it, she makes it play the piano --- 'presumably "Kitten on the Keys" and Max just hates it. Max is all reaction takes in this one and up to his usual standards, including one great gag to round off the picture.
Short directed by Henri Andréani and Ferdinand Zecca.
