'Fail-Safe' and the Cold War 2020
Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail-Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.
Film critic J. Hoberman discusses the best-selling 1962 novel by Eugene Burdick and Harvey Wheeler on which "Fail-Safe" is based, along with the pervasiveness of nuclear paranoia in films of the sixties.
Join legendary director Martin Scorsese, and acting icons Robert De Niro, Joe Pesci and Al Pacino going behind the scenes of their universally acclaimed movie.
Martin Scali, who was Wes Anderson's assistant on "Fantastic Mr. Fox", shot this short documentary in Newport, Rhode Island, during the filming of "Moonrise Kingdom".
Time Travelers, a new documentary by Daniel Raim featuring interviews with John Bengtson and film historian Marc Wanamaker, reveals newly discovered connections between Buster Keaton’s MGM debut and the earliest films of his career.
Retrospective documentary on the making of Robert Altman's Nashville (1975).
A look at the making of Federico Fellini's "I Vitelloni".
Featurette on the making of John Waters' "Polyester."
A new documentary on director Nobuo Nakagawa and the making of the film, Jigoku. Featuring exclusive interview with Nakagawa collaborators.
Documentary about the technical achievements of the 1940 film classic The Thief of Bagdad.
In this interview, shot by the Criterion Collection in 2018, Ron Briley, author of 'The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films', discusses the origins of the Lonesome Rhodes character in the biographies of populist celebrities such as Will Rogers and Arthur Godfrey. He also addresses the political implications of 'A Face in the Crowd' (1957) within the context of Kazan's career.
In this documentary, film scholars Gerd Germünden and Noah Isenberg discuss the artistic origins of Marlene Dietrich in the cabarets of Weimar Germany and her relationship to her native country during and after World War II.
This visual essay sets clips from Robert Bresson's "A Man Escaped" to a reading of "Functions of Film Sound," a chapter from David Bordwell and Kristin Thompson's book "Film Art." The chapter analyzes the sound design of Bresson's masterpiece as a means of discussing the use of sound in film.
Actor Tom Gaman (Simon) narrates some 8mm movies shot during the film's three-month production and shares memories of working on the movie during his summer vacation.
A documentary created by the Criterion Collection for their release of Italian film director Federico Fellini's Amarcord about his relationship with his home town, Rimini, featuring archive interviews with the director and more recent interviews with some of his friends and collaborators.
This documentary traces the "physical history" of Fritz Lang’s M, from its production and original distribution to the digital restoration used as the basis for this edition. It includes a look at the French-language version of M but was produced before the discovery of the English-language version.
Filmed in Los Angeles in August 2017, director Donna Deitch, cinematographer Robert Elswit and production designer Jeannine Oppewall discuss their collaboration in creating the look of DESERT HEARTS.
In this interview, conducted in spring 2021, scholar Nick Rees-Roberts traces the influence of La Piscine on the worlds of film and fashion in the half century since its release.
A collection of excerpted on-screen interviews with fifteen of the Apollo astronauts.
In this documentary, produced in 2019, director Miranda July and filmmaker Lena Dunham explore July’s beginnings, including her early work as a performer, the creation of her Joanie 4 Jackie project, and the development and production of her first feature film, ME AND YOU AND EVERYONE WE KNOW.
CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.