Cinepoint

Theodora Remundová’s documentary portrait looks at Iva Janžurová’s dramatic and comedic roles in both film and theater, as well as the roles she has played in her family and in social and political life. The director (Janžurová’s daughter) has created a film filled with the truthfulness, sincerity, and capacity for self-reflection of a woman who has devoted her life to acting. The use of clearly staged scenes is combined with an openly acknowledged effort to avoid the kinds of clichés usually found in biographical documentaries to create an organic whole that provides an overview of Janžurová’s pivotal roles while also sharing highly personal and intimate moments from her life. Vít Kořínek (kviff.com)

In the vast plains of Kyrgyzstan, men have been cultivating a group sport with a long tradition. The aim of the game buzkashi is to steal the trophy of a dead goat from the rival team of riders, all while staying on horseback. Into this tough masculine world enters Atirkül, a woman with an enterprising spirit and a sense of humour. The film follows the everyday life of the headstrong horse lover Atirkül, whose ambition is to build her own buzkashi team of local young men to preserve the heritage of her native region. The ethnographic perspective alternates with a purely personal one, gradually revealing the possibilities of overcoming gender roles

Adam Ondra is the best. Born in 1993, the Czech climber has broken a series of records and is widely recognised as the most accomplished in his discipline. No mountain or wall can resist him. But who is this young man who knows no fear and never seems to encounter failure? Jan Šimanek and Petr Záruba deliver an intimate portrait, beyond the usual sensationalism of sports headlines.

Currently Mongolia’s capital has 1.5 million inhabitants - half the population of the country. 50-year Tumurbaatar is only one of many coming to the city to fulfil their dreams of a better life.

Jan Jedlička is one of the best kept secrets in the world of art. He was born in Prague in 1944 where he studied painting at the academy before immigrating to Switzerland in 1969. Petr Zaruba conveys through cinematic and formal choices the complexities of Jedlička’s creative strategies. An intertwined dialogue between two artists.