Fair Play 2014
In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.
In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.
From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.
A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.
“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.
An explosion sends fear and terror through Berlin. Young Maxi's home is reduced to rubble and ashes, burying her mother and little brothers. Only she and her father survive the terrorist bomb attack. When she happens to meet the charismatic Karl, who tells her about a conference for young people in Prague, she seizes the opportunity to flee Berlin and her grieving father. The political movement behind the meeting claims to be working for a better Europe. Maxi has no idea how close the murderers really are to her family.
Over the course of a year, in a small town scarred and beaten down by industrialization, Tonda and Monika, friends since childhood, come to experience what life might be like if they could be with one another – which they seemingly can't. Or can they?
Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?
A boy is accidentally killed at an informal hunt somewhere on the border of two European countries. One of the people involved is Minister Berger, the hot candidate for the influential post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.
When Herra, a young Czech woman, falls in love with Nazir, an Afghan, she has no idea what kind of life awaits her in post-Taliban Afghanistan, nor of the family she is about to integrate into. A liberal grandfather, an adopted child who is highly intelligent and Freshta, who would do anything to escape her husband's violent grip.
Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.
A man who deals with parcels at an airport cargo company finds that he likes planes more than people.
November 9, 1989, the day the Berlin Wall came down. A 10-year-old girl and her friends attempt to use their teleportation device to beam her uncle back to East Germany but instead, as they witness on TV, end up beaming everyone in their town into West Germany! They have to race against time to undo the experiment before the nasty border guards open fire...
Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
In the fourth and final instalment of Karel Vachek’s not-so-little Little Capitalist Tetralogy, preparations for an opera performance in the Czech capital’s art-nouveau National Theatre become the occasion for a reflection on rebels, dissidents, and others subversives who stand in battle, heroically and sometimes tragically, against majority opinion, established rules, or powerful institutions. "As the camera wanders over, around and through Prague’s lavish National Theatre, director J.A. Pitínský coaches singers through a rehearsal of Bedřich Smetana’s tragic opera Dalibor. Intercut with the tale of the 15th-century knight who, imprisoned, refused to name names, Vachek interviews, on the plush red seats of the empty theatre, a whole series of latter-day rebels.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Only a few girls practice the art of parkour – running and somersaulting over rooftops, free-climbing up rusted scaffolding and leaping from one wall to the next. Laura takes it all in her stride. Though as she wildly races through the streets of Prague, her thoughts are running wild too. She has a crush on Luky, but he doesn‘t show much interest in her. Laura‘s parents live apart, and her mother is desperately looking for someone new. Jealousy, misunderstandings with her best friend – Laura‘s life is full of confusion. Sometimes, when she can‘t take it anymore, fantasy worlds evolve. When hope and fear push through the cracks of reality, it gets harder to keep her life in balance.
Documentary maker Jan Holman follows the ultrafamous singer/songwriter Jaromír Novahica during his tour with the band Cechomor. The combination is very succesful, but it draws a heavy toll on the band members and Jan Holman.
Overwhelmed by a world he can no longer control, a quarrelsome worker in his fifties tries to preserve the integrity of his neighbourhood...
Anna, a 16 year-old girl from the sticks, trades her military education for life in the big city Running away to Prague opens a whole new world where she drinks her first cappuccino and meets the kind of people she has only seen in movies.