Blue

Blue 1993

6.90

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

1993

A Sign is a Fine Investment

A Sign is a Fine Investment 1983

1

Documentary on advertising. Investigates the way work has disappeared from advertising images, and traces the phenomenon through archive advertising films from 1897 to 1960. Places advertising in the context of historical events and everyday life, archive material being juxtaposed with contemporary images.

1983

Vertical Features Remake

Vertical Features Remake 1978

7.50

Vertical Features Remake is a film by Peter Greenaway. It portrays the work of a fictional Institute of Reclamation and Restoration as they attempt to assemble raw footage taken by ornithologist Tulse Luper into a short film, in accordance with his notes and structuralist film theory. The footage consists mostly of vertical landscape features, such as trees and posts, shot in the English landscape.

1978

The Ballad of Reading Gaol

The Ballad of Reading Gaol 1988

5.50

Oscar Wilde’s famous and eloquent defence of love – made while he was being cross-examined at the trial that led to his incarceration and death – is strikingly illustrated, word by word, with Mapplethorpe-like imagery.

1988

Threshold

Threshold 1972

6.50

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

1972

Cage of Flame

Cage of Flame 1992

1

A bewitching celebration of menstruation which uses a variety of animation techniques from pixilation to scratch on film. An antidote to the vacuous sanitised view of menstruation promoted by advertising. A dream life of angels. What wings really mean. The wise wound and its belly music. Desire is vulvic and creativity claims the calendar of bodies.

1992

Milk and Glass

Milk and Glass 1993

1

In this film an interior landscape is scrutinised, and an apparent rational calm is revealed as suffocating. Milk and Glass is an evocative journey from surface to interior – a black-coated mirror, the hollow of a bowl, a cavernous throat; a brush demarcates a line of lip on a flat surface, a mouth doubles up with the bowl and is virtually spoon-fed till it chokes.

1993

Trojans

Trojans 1990

2.00

A brief look at the life of the Greek poet Constantine Cavafy.

1990

Ballet Black

Ballet Black 1986

6.00

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

1986

Steel 'n' Skin

Steel 'n' Skin 1979

1

Peter Blackman, founder of Steel 'n' Skin, talks about this pan-African group, which takes African culture to British schools. The film follows the group during a ten day workshop in Liverpool.

1979

Kanga

Kanga 1992

1

Early 90s London gets a vibrant dose of African culture in this mini odyssey fusing dance, music and fashion.

1992

Gargantuan

Gargantuan 1992

7.30

“London artist John Smith uses light-hearted humour to explore theoretical concerns - Gargantuan, for instance, is both pleasantly silly and acutely conscious of how imagery depends entirely on its framing. A voice-over intones the words ‘huge’ and ‘strapping’ as a lizard almost fills the screen, then ‘medium’ as the camera zooms out, then ‘tiny’, and finally ‘minute’, a pun on the film’s running time.” Fred Camper, Chicago Reader 2001

1992

No Ordinary Protest

No Ordinary Protest 2019

1

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.

2019

R.B. Kitaj

R.B. Kitaj 1967

1

Biographical short about the American Pop Artist by James Scott

1967

Plutonium Blonde

Plutonium Blonde 1987

4.50

Plutonium Blonde is a beautifully textured collage of sound and images and a fractured narrative about woman’s self-definition and control. Taking the figure of Thelma, a woman working with the plutonium monitors at the core of a reactor, Lahire questions both the process at the core of the plutonium terminal and that one that constructs female identity. Plutonium Blonde is part of a trilogy of films on radiation (the other two are Uranium Hex and Serpent River) that Lahire made in the 1980s.

1987

Being and Doing

Being and Doing 1984

1

About Performance Art and its historical origins including its links with folk customs. The film includes extracts from the work of many different performance artists from England and abroad collected from 1979 to 1983, amongst them: Tibor Hajas (Hungary), Rasa Todosijevic (Yugoslavia), Iain Robertson (Scotland), Zbigniew Warpechowski (Poland), Milan Knizak (Czechoslovakia), Natalia LL (Poland), Ewa Partum (Poland), Jan Mlcoch (Czechoslovakia), Sonia Knox (Northern Ireland), Jerzy Beres (Poland) and Stuart Brisley (England). The film also records the Haxey Hood and Padstow Hobbyhorse folk dances from Lincolnshire and Cornwall respectively.

1984

Vermeer Frames

Vermeer Frames 1976

1

Silent short film by Guy Sherwin as part of his Short Film series in which he captures everyday life, diary like subjects.

1976

Grove Carnival

Grove Carnival 1981

1

A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.

1981

The World of Gilbert & George

The World of Gilbert & George 1981

1.00

Gilbert & George are renowned for presenting themselves as ‘living sculptures,’ fusing their art and identity with the external world. Their exploration of the bleak urban surrounds of 1980’s London, powerfully evoke the desires and tensions of its disillusioned youth alongside their own eccentricities. Poetic narration combines with vivid imagery that moves between the startlingly beautiful, the humorous, and the absurd. Church spires and city streets, youth and drunks, dancing and tea-drinking all take on an affecting symbolism when viewed from the unique perspective of Gilbert & George.

1981

Uranium Hex

Uranium Hex 1987

6.00

A memory-using location film of a stay with a uranium mining community. Using a kaleidoscopic array of experimental techniques, this film explores uranium mining in Canada and its destructive effects on both the environment and the women working in the mines. A plethora of images ranging from the women at work to spine-chilling representations of cancerous bodies are accompanied by unnerving industrial sounds and straightforward information from some of the women.

1987