Tremora

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

Lucas is a scientist who works near the European experimental project that focus on advanced ‘human neuron research’. The project is to transfer neuron information from one human mind to another. Lukas is chosen to connect his mind with a comatose woman he named Aurora.

He considers himself a genius but the publishers refuse to print his works. He loves women but they don’t always understand him. Constantly without money and out of touch with reality. The elegant fop Daniil Yuvachov names himself Kharms- a name just as effective as his appearance. An habitué of unending literary get-togethers and a lover of scandal. Living in society he is completely separate from it. Kharms throws down a gauntlet to his time, audaciously hurling himself into the vortex of reality, just as vague and arbitrary, with the same contradictions, as represented by his spirit.

A road movie, buddy picture and romance rolled into one, Low Lights pivots on a love triangle that evolves when two men and a woman take to ritual night driving. Transforming cold urban space into something charged with excitement, the drives provide the hope the trio so desperately needs.

Following a traumatic experience, Gaile, a speech therapist, is incapable of feeling any emotion. However, while preparing a video presentation for a scientific conference, she sees herself on screen and is surprised to find suppressed sensations returning to her, primarily feelings of aggression. Gaile decides to try an experiment. With the help of a man and his video camera she stages various provoking situations and shows the result to those involved. Throughout the experience she is unable to perceive the value of normal emotions, or even the possibility that someone may have feelings for her

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

The late Georgian writer, filmmaker and university professor, Zaza Khalvashi, delivers a quirky yet genuine tale of mundanity in this posthumously produced feature. Drawing Lots is a vignette of a seaside community where an apartment block and courtyard serve as an amphitheatre for the mysterious power dynamics that play out in the residents’ intertwined lives.

Provincial girl tries to understand and get in touch with world of a big town. With world that suddenly shows unpredictable dark sides of its own.

A love story about divorce.

It is a short story about ordinary street guys. Like many others they want to be cool. They want to love, to possess, to survive and to fulfill their ambitions. But will the night streets grant them this chance?

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

Author driven documentary "What we leave behind" (original "Liebe Oma, Guten Tag!") is made from a need to talk in unspoken topics, look for answers and hopefully break taboos. It is a film, where two sisters from Lithuania - a filmmaker and a photographer - take a journey through their German grandmother's past. During the research authors encounter her love story, fleeing, uncomfort of being German in Soviet Lithuania and chain of suicides in their family. It's time to talk. About everything. Long journey, which leads in two directions - towards other person and yourself.

A rookie policeman is left alone in a private clinic to guard a comatose suspect of World War II crimes. His shift is long over, yet nobody comes to replace him. However, the youngster is determined not to leave his post until he gets permission from his authorities to do so. Lack of sleep, loneliness, hunger and the persistence to serve his duty turn the young man into a ticking time bomb at the very wrong time. He must decide how far he can go guarding this suspect who is hated to death by everyone.

Two young people, old friends Olivija and Matas, go on a kayak trip in late autumn. Neither is aware of each other's plans and everything works out just fine until one of them says I Love You. As the kayak seems to be as fragile as their friendship they now have to face wild nature and their choices.

When the sliding doors of the hospital entrance start to jam, newly hired nurse Marina tries to find someone to fix them, but her efforts are in vain. Soon the door starts causing chaos in the hospital.