Adapted from a novel by Norway's justice minister Anne Holt. Lesbian policewoman Hanne Wilhelmsen (Kjersti Elvik), who has a live-in lover, tools about Oslo on her Harley-Davidson. After a number of women vanish, police find blood but no bodies, and Wilhelmsen begins a search for the suspected serial killer.
Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.
A hypocritical and selfish older sister holds power over her younger, unselfish and humanitarian sister by hiding the shame of her younger sister's pregnancy, with the purpose of upholding the aristocratic status of their name and household. Or that is what we are told, because underneath the facade, is a story of two sisters, who have had intimacy with the same man.
Sigga and Didi are sisters who lost their mother when very young and were separated. Since then their lives have taken very different paths and their characters have come as different as black and white. When they meet in their twenties the pair take a run through Reykjavik, ripping off drug smugglers and dealers and partying while escaping from the thugs.
Based on the novel by Maria Gripe, this is the story of two children, Klas and Klara, growing up in the poor Swedish countryside of the mid-19th century. Their father Albert is a glass-blower, famous for his beautiful vases, but still unable to earn enough money for his wife Sofia and the children. At a spring fair a distinguished gentleman arrives and buys all of Albert's glassware. After this nothing will be the same again. Klas and Klara are kidnapped and taken to a strange castle...
Little Oddemann uses every means available to find Jesus, including his slingshot. The film takes us to Norway in the late '30s, where we meet a series of burlesque and humorous characters, whose antics convince Oddemann that growing up may be a bad idea. Yet Oddemann finds there are certain rewards to being grown-up, such as partying and chasing women, that merit closer examination.
