Kemal is a young man who does all kinds of work to make ends meet and is passionate about football. The young man who makes his living from the hardest, one day finds a baby abandoned on the side of the road. Kemal, who adopted the orphaned baby, raises and takes care of the girl like the baby's father.
When the king is murdered, his baby son and heir is hidden in the forest where he is abducted and raised by a pride of lions. As an adult he uses his beastly strength and claw-like hands to take revenge against the new king and his armies.
Married couple move to a new house. Thanks to this new house they climb the social ladder. At the same time troubles are started.
Nil spends years in jail and is being tortured during September 12 junta period and alienates the new life after she is released.
This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.
Depiction of the life of the legendary Muslim Serdar of Malatya, Battal Gazi.
Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.
Captain Bey's only dream is to have a grandson. His daughter Bedriye knows this and therefore she keeps her daughter Kamuran away from her father for years, raising her in Europe.
Taxi driver Mehmet and shop attendant Sibel is preparing for marriage. The taxi's owner is the father of İbrahim, Mehmet's close friend who is secretly in love with Sibel. After his father passes away, he starts living a rich life from his fathers heritage. A love triangle begins to fold between Mehmet, İbrahim and Sibel.
