The Golem: How He Came Into the World

The Golem: How He Came Into the World 1920

6.90

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

1920

The Doll

The Doll 1919

7.40

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

1919

The Suffragette

The Suffragette 1913

4.60

Nelly's mother is a suffragette and persuades her daughter to join the good cause. Placing a bomb under Lord William's chair love develops between the two.

1913

Where Is My Treasure?

Where Is My Treasure? 1916

6.31

Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.

1916

The Oyster Princess

The Oyster Princess 1919

6.80

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

1919

The Wildcat

The Wildcat 1921

7.60

A charismatic lieutenant newly assigned to a remote fort is captured by a group of mountain bandits, thus setting in motion a madcap farce that is Lubitsch at his most unrestrained. A wonderfully anarchic and playfully subversive satire of military life from one of the great comedy filmmakers.

1921

Carmen

Carmen 1918

5.22

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.

1918

The Pride of the Firm

The Pride of the Firm 1914

6.50

Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.

1914

Madame DuBarry

Madame DuBarry 1919

6.40

The story of Madame du Barry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

1919

Anna Boleyn

Anna Boleyn 1920

6.90

The story of the ill-fated second wife of the English king Henry VIII, whose marriage to the Henry led to momentous political and religious turmoil in England.

1920

Mad Love

Mad Love 1921

7.30

Richard de la Croix's brother, Andreas, has been driven insane by a notorious vamp and socialite named Sappho. A friend takes Richard to the Odeon to meet her, but when Sappho actually meets him, he is unaware that she is the woman who drove Andreas to be institutionalised. Sappho genuinely falls in love with Richard, and decides to leave her vampy ways and her older lover behind her so that she can have him.

1921

Die Flamme

Die Flamme 1923

5.80

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

1923

Pinkus's Shoe Palace

Pinkus's Shoe Palace 1916

5.70

Sally Pinkus is an German-Jewish boy who takes a job as a shoe store clerk after being expelled from school for goofing around. Soon fired for trying to court the owner's daughter, Pinkus lands another job in a more 'upmarket' shoe salon, only to be fired again, before charming a rich benefactress to fund his ultimate dream: Pinkus' Shoe Palace.

1916

Sumurun

Sumurun 1920

6.00

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.

1920

I Don't Want to Be a Man

I Don't Want to Be a Man 1918

6.42

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.

1918

Little Angel

Little Angel 1914

5.90

Engelein is a comedy of deliberately mistaken identity. If Jesta, a 17-year-old, can play the part of a 12-year-old, her family will gain a large inheritance from a rich uncle from Chicago. Her unruly “play-acting” for the uncle is preceded by an earlier incident in the film that results in Jesta being evicted from her girl’s school. Wearing a long, woman’s skirt, she climbs up a ladder and onto a thatched roof. She reaches over the top of the wall to kiss her boyfriend, who appears from the other side. However, Jesta is caught by the headmistress, and her forced descent is precipitous. Pulled downward, she reveals a great deal of a black-stockinged leg. She looks distinctly sexual as she falls into the matrimonly arms of the law, whose duty is to enforce the rules of female decorum.

1914

The Eyes of the Mummy

The Eyes of the Mummy 1918

5.30

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.

1918

The Yellow Ticket

The Yellow Ticket 1918

5.60

"The Yellow Ticket" (aka "The Devil's Pawn") was directed by Vicor Janson and Eugen Illes as a German project shot partially in Warsaw. A story of a Jewish girl forced to hide her identity in order to attend medical school in St. Petersburg, the movie is a melodrama of multiple oppression. Lea, as played by Negri, is at a disadvantage as a woman, an orphan and a Jew -- and yet has immense persistence and an insatiable ambition of becoming a doctor. The film includes more than one plot twist (the final one further complicating the issue of Lea's identity), but it's first and foremost a testimony to a spirit impossible to suppress.

1918

The Merry Jail

The Merry Jail 1917

6.40

A neglected wife disguises herself in order to lure her wastrel husband into a compromising position.

1917

Der rote Henker

Der rote Henker 1920

1

France in the first half of the 17th century, at the time of the Duke and all-powerful Cardinal Richelieu. The courtesan Marion Delorme falls in love with the nobleman Didier de Lassigny, although she is still with another nobleman at the time, the Marquis de Saverny. Marion then leaves the Marquis. This leads to a duel between the two aristocratic gentlemen, although duels were strictly forbidden in these circles by Richelieu. When this becomes known, Didier is put in chains and sentenced to death. Marion sacrifices herself for the sake of her new love, but the sacrifice is in vain. Didier, who refused to flee, is finally beheaded by order of the "red executioner" Richelieu.

1920