Kokuei Company

Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

A girl named Ai gets a major record deal to sing a song written by a friend of hers who is deceased. However an obsessed stalker fan slowly starts becoming more like her and tearing her world apart.

The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Pink film from 1985

Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.

Pinku from 1970.

15 women returning from a meeting see a pregnant woman being raped by three men. They simply walk away. The woman loses her unborn infant and commits suicide. Her fiance finds out their identity and plots vengeance.

Asuka, a woman in her thirties, works in a lakeside fish factory. She’s about to be married to her boss, Taki. But one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned to death when they were 17.

　A sequel to "Destroy the Evil", it follows the protagonist of the previous film, who is pursued by the yakuza and moves to a rural town in Chiba. The story concludes with a tragic ending, but as the title "Keep running, keep running!" At the end of the film, there is an image shot of the protagonists who continue to run, as the title suggests, and this is a strong statement to the director himself and to the audience.

A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.

The story centers on a gangster living in the city and the woman who lives with him, the people they meet, and the incidents they become involved in. The entire film has a whiff of American New Cinema, while the outlaw-like protagonist played by Kazuhiro Sano is reminiscent of the chivalrous films of the past.

There was a man, a novelist, who had unavoidably turned his hand to sensual novels for a living, but now made a living out of it. One morning while jogging, he picks up a lighter and cigarettes dropped by a bookstore owner, and decides to deliver them to the store. When there is no answer to the doorbell, he goes to the back of the store and looks in the slightly open window to find the owner tying up a female clerk and engaging in SM play.

The films plot hinges on a bizarre love triangle involving a loser ventriloquist, his assistant & a blind woman - Hikari is blindly (literally) in love with Daisuke, a failing ventriloquist yet when she finally musters up enough courage to meet him face to face and present him with some flowers backstage she mistakes his assistant for him. For some reason Daisuke and his assistant decide to follow through with the mistaken identity farce which leads to some amusing complications, particularly in the bedroom.

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal. Nihilistic destruction by the young ones seems to be the only way out. This should be seen as Wakamatsu’s answer to Nagisa Oshima’s The Ceremony, made in the same year.

Three bad high school students who are preparing for the graduation ceremony are caught up in a battle with Yakuza after encountering a Korean in Japan and Yuki Yappa who has been married to him. A youth adventure drama with a powerful depiction of "Japan" and "Asia" that emerges from various nationalities.

Minako, a Tokyo housewife, is depressed that everyone has an active life outside the home except her. Taking her inspiration from TV reports of a hitch-hiking chainsaw murderer, Minako decides to spice up her life by finding a young lover and running off with him by faking her kidnapping. While her family frets and worries, Minako has a wonderful time. Eventually, though, she decides it's time to go back to her family. Her lover, however, isn't ready for the fun to end, and Minako's fake kidnapping soon becomes all too real.