Shall We Go to My Place or Your Place or Each Go Home Alone?

Shall We Go to My Place or Your Place or Each Go Home Alone? 1973

5.80

Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc

1973

Parade

Parade 1974

5.60

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

1974

The Magic Flute

The Magic Flute 1975

7.20

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

1975

Diskrummet

Diskrummet 1974

1

About the people at the bottom of the hierarchy working in a restaurant.

1974

Edvard Munch

Edvard Munch 1974

7.40

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

1974

Ciao, Federico!

Ciao, Federico! 1970

6.60

A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

1970

En magisk värld

En magisk värld 1979

1

"A Magic World" - For me the world is weird because it is stupendous, awesome, mysterious, unfathomable; my interest has been to convince you that you must assume responsibility for being here, in this marvelous world, in this marvelous desert, in this marvelous time. I want to convince you that you must learn to make every act count, since you are going to be here for only a short while, in fact, too short for witnessing all the marvels of it.

1979

Repetitionen

Repetitionen 1968

1

"The Rehearsal or The Patchwork of Love" - At the Ferbroques castle, the Count, Countess and their guests are rehearsing a play.

1968

Nattcafé

Nattcafé 1965

1

Shows the people who visit a café that is open late at night

1965

Rabies

Rabies 1958

7.50

A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else.

1958

Ingmar Bergman Makes a Movie

Ingmar Bergman Makes a Movie 1963

7.30

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

1963

Monismanien 1995

Monismanien 1995 1975

1

In a fictional future totalitarian society ruled as a one-party state. A teacher commits the crime to teach their students to think independently and is therefore being stalked. The fictional Monismania also appeared in Astrid Lindgren's saga about the witch Pomperipossa in the Monismanian 1976.

1975

Mr. Sleeman Is Coming

Mr. Sleeman Is Coming 1957

5.60

Herr Sleeman kommer is a 1917 one-act play by the Swedish author Hjalmar Bergman. The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.

1957

Monument

Monument 1967

1

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

1967

Who Loves Yngve Frej

Who Loves Yngve Frej 1973

6.90

A tragicomic story about rural extinction and the meeting between the local shoemaker Gustafsson and Pettersson from Stockholm.

1973

The Father

The Father 1969

8.00

The Cavalry Captain and his brother, the Chaplain, discusses whether an adjutant is the father or not of the child one of the maids is expecting.

1969

Sven Klang's Combo

Sven Klang's Combo 1976

6.90

Sweden 1958. In a small provincial town there is a band who plays dance music twice every week. All decisions are made by Sven Klang, the undisputed leader of the band. A new member joins them, saxophone player Lasse. He starts to criticize Sven's decisions, questions the way they divide the money and he also wants them to be more of a jazz band.

1976

Waiting for Godot

Waiting for Godot 1971

8.00

Somewhere sits two men, Vladimir and Estragon, waiting for a man named Godot. Internationally acclaimed Swedish TV dramatized version of the classic stage play.

1971