ACPAV

Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.

In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii's illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family

Robert decides to drop everything and go back to his homeland, accompanied by his daughter and a couple of friends.

This is the story of Gerard, an man who miraculy survived to an explosion that destroyed his appartment and killed a lot of people. During the next days, he tries to find out why he survived and why others died.

Two men bond as one recovers from an attack and the other deals with the impending death of his grandmother.

A recent widow living in a small Quebec town goes to Montreal to visit her busy adult son and daughter, and then on a whim decides to travel to the town of her childhood, where she hadn't set foot in decades.

The sleepy town where Léo lives doesn’t offer her much chance of self-fulfilment. Extricating herself from her mother’s influence and her constricting environment isn’t easy for the frustrated young woman, yet happiness might be close at hand. A stylistically precise, pop-impressionistic film about a girl’s quest to find out who she really is, featuring the captivating Karelle Tremblay in the lead role.

Reynold is dying of cancer. He uses his last meals to share them with his daughter. As the meal progresses, a ritual begins to take hold, the dishes acting as reminders of the past. Vanessa discovers who her father really is.

Mrs. Lemay has been separated from her husband for 11 years, but takes him back after the death of her partner.

Gaby owns a farm on which he raises lambs: Bouchard & Sons Farm. But he has no sons. Rather, he has two daughters that he raised like princesses and who live far away, in the big city. One day, the oldest asks him for some financial support so she doesn't end up losing her house...

Toni, a young 24-year-old woman who is released from prison, finds herself having to return home to live with her mother Betty, with whom relations are strained. Determined to reconnect with her daughter Anna, whom Betty has raised in her absence, Toni gets a job in her uncle's brasserie nearby the port. But she soon finds herself mired once again in the smuggling shenanigans of her childhood sweetheart Max, who's the reason she first went to prison, and who's also Anna's father. Pulled in all directions, Toni must fight to break free from this toxic environment and to take up her place as a mother and free woman.

When considering taking a few weeks off, Dr. Rainville places an ad to find a replacement who would agree to take his place in Normétal, in Abitibi. Jeanne Dion from Montreal accepts the offer and goes to the site, where it comes into contact with old customers and the lonely doctor. The problems of the inhabitants of the small community are varied, but Jeanne adapts well to her new environment. When Dr. Rainville was struck by a heart attack, he must still be replaced some time. She could even take his place permanently...

At a maximum security prison, there is preparation for the annual party where entertainers and strippers are scheduled to perform. But not everyone is having fun. A man is sent to solitary, his wife has a nervous breakdown, and a convict prepares to make a daring escape.

A woman travels from the big city to the countryside. The locals are suspicious.

A father's love is not enough to keep his dreams and his family together in this drama. Joe Aiello (Tony Nardi) is an Italian immigrant who settled in Montreal and opened a construction firm in the early '60s. Thirty years later, Tony's business is a solid success, and Tony dreams of passing this legacy along to his family. But Tony's wife has passed on, his son Nuccio (Hugolin Chevrette Landesque) is developmentally disabled, and his daughter Bennie (Michele-Barbara Pelletier) can't decide what she wants to do with her life, dropping out of college against her father's wishes shortly before she is to graduate. Despite his disappointment with Nuccio and his exasperation with Bennie, Joe has a fierce love for his children, but Bennie feels that her father's affection is starting to crush her more than it nurtures her.

Montreal, 1904. Giuseppe and Ninetta own a boarding house where they welcome their fellow Sicilians. One day, as he comes to the defence of one of his boarders, Giuseppe accidentally kills Theo, his French Canadian best friend’s son-in-law. This drama depicts the tensions between people from different ethnic backgrounds and their life-changing impact. Based on a true story, 'The Saracen Woman' paints a portrait of Italian immigration to Quebec and the affinities and conflicts that arose from the clash of two different cultures.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

A mother deals with the violent murder of her daughter.