Impress Telefilm

An aspiring social worker is torn between adopting a child and being a spouse.

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.

This story and screenplay has been created with the essence from the poem “Hathat Dekha” by Rabindranath Tagore. Unseparated untouched but with times of age flowed to turn them old but they met each other in a railway compartment.

The story of the Bangladesh Liberation War in 1971 as seen through the eyes of a young boy.

Intertwined story of a group of friends living together and their romantic complications.

Rahmat, a fruit seller from Kabul, comes to Bengal Province to hawk his merchandise and becomes friend of a small girl Mini, daughter of a Bengali writer.

A teenager falls in love with her father's servant.

A teenage boy is hired along with the music group of his father by a Zamindar (landlord) for entertaining him until the annual flood is over in the Haor region of East Bengal. But the boy finds out that he has to do something more than the rest of the members of the group are required- he has to satisfy the landlord sensually as well. The wife of the landlord cannot stand this new 'rival' of hers and conspires to kill the boy.

The story revolves around three characters: Annapurna, her son Amulya, and Bindubashini, a woman desperate to become a mother. Annapurna's husband Jadab goes through much hardship to pay for his younger brother Madhab's education; years later, Madhab becomes an eminent lawyer. Madhab's wife Bindubashini comes from an affluent family and is strikingly beautiful. Bindu is childless and when she gets to take care of Amulya, her yearning to experience motherhood finds some fulfillment. Sisters-in-law Bindu and Annapurna share a bittersweet relationship. Bindu respects Annapurna and the latter reciprocates by showering a lot of affection on her. But they have frequent rows over household chores. One day, they have a major disagreement over Amulya's upbringing. The disagreement proves to be irreconcilable. As a result, the two families split. The after-effects of this disagreement reverberate between the two estranged families for a long time.

Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.

The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.

A poor villager finds some high priced foreign notes. For exchanging notes easily, he secretly tells his friend. They both trying to get the money & change their poor condition.

A story of love, dreams, politics, revolution, and the aftermath of a civil war in Bangladesh.

A 40 year old painter, who lives in a wooden and bamboo house on stilts in the middle of a polluted lake on the outskirts of Dhaka City. Alpha's house serves as his painting. Dogs, roosters and birds also share the space with him. There are many moments when he feels a oneness with nature and with the birds and animals that surround him. He also feels deeply drawn to 'an androgynous' male-female identity. Alpha has neighbors in the nearby slum with whom he has close interaction.

Refugees from East Pakistan flee West Pakistani soldiers aboard a rickety steamboat.

The film will highlight the struggles of women in the circus. In the film, Jaya Ahsan performs amazing acrobatics—with such feats as walking over a tightrope.

Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.

Maloti, a mentally challenged girl, lives a hand to mouth existence with her ailing mother in a dilapidated house. A day labourer named Aju, who usually spends the night at a corner outside Maloti's house, loves her very much. However, because of the stratagem of the village head, Maloti is told to leave her home. The film is the usual story of the oppressed people who suffer at the hands of the powerful.

A complicated relationship between a female social worker and a drug addict.