ශීර්ෂය | Recorder: The Marion Stokes Project |
---|---|
අවුරුදු | 2019 |
ප්රභේදය | Documentary |
රට | United States of America |
ශබ්දාගාර | End Cue, Electric Chinoland, C41 |
කාස්ට් | Michael Metelits, Marion Stokes |
කාර්ය මණ්ඩලය | Matt Wolf (Director), Keiko Deguchi (Editor), Chris Dapkins (Director of Photography), Matt Mitchell (Director of Photography), Jesika Farkas (Production Design), Jaf Farkas (Art Direction) |
මූල පදය | media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving |
නිදහස් කරන්න | Apr 25, 2019 |
ධාවන කාලය | 87 මිනිත්තු |
ගුණාත්මක | HD |
IMDb | 6.70 / 10 විසින් 9 පරිශීලකයින් |
ජනප්රියත්වය | 1 |
අයවැය | 0 |
ආදායම | 0 |
භාෂාව | English |
Recorder: The Marion Stokes Project
media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving