Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
The stakes escalate in a longstanding conflict between Indigenous pastoralists and white landowners in Laikipia, Kenya, as unresolved historical injustices and the impact of climate change come to the forefront.
In a land where the birth of twins is taboo, a king and queen come into conflict with the gods and each other when they have twins of their own.
Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
In the distant future, a lone scientist makes a breakthrough discovery, called EONII, that may save the Nation and the Continent. Forces in the shadows begin to surface. Lies, Betrayal, Politics, and War, all to decide one thing, who should control the power of the EONII?
In Old Moshi, Tanzania, a head is missing : the skull of Chief Meli, who fought the German colonial occupation of his territory and was executed in response to his resistance in 1900. This animated film, based on archival sources and oral accounts provided by Chief Meli's grandson, sheds light on the racist roots of physical anthropology and ethnological museums.
Tanzanian queer singer Tofa Jaxx in conversation with HIV/Trans activist Aunty Ali, exploring issues of sex work, gender and being out.
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.
Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.
To save their real estate agency, an ambitious businesswoman and her entitled boss must convince an investor they're married -- despite hating each other.
Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.
As word spreads that there is a serial killer at large who continues to commit murder, an off-duty police officer must return an elderly witness who lives in a remote part of Uganda back to town. Along the way, the policeman gives a ride to an injured man. On the way to the city, the passenger tells the policeman the events that led him to end up injured in the middle of the road. But as we travel with these mysterious characters in the car, director Loukman Ali shows us that the stories they tell are only fragmentary and partial versions of the events that took place, and that perhaps there are truths buried beneath each of their words.
A woman single-handedly shoulders her family's burdens, without reward or thanks, to farm her husband's land and keep the family fed and cared for. She finds herself training her daughter to walk the same path she does. No school, all work. Pests threaten her harvest and are exterminated using a loan from the local women's Co-op. But when Manyusi squanders her prized harvest and schemes to marry off their daughter, Fatuma must enlist the help of her fellow ladies at the co-op to make things right.
Sincerely Daisy is a 2020 Kenyan coming-of-age romantic comedy film produced and directed by popular actor Nick Mutuma. The film stars Ella Maina, Brian Abejah, Sam Psenjen and Mbeki Mwalimu in the lead roles. The film was released in Netflix on 9 October 2020 and became the first ever Kenyan feature film to be released via Netflix.
Eleven-year-old Aisha wants to fish for a living, but her mother thinks that fishing should be left to men. Aisha’s life transforms when fisherman Hassan decides to teach her how to fish.
Apostles of Cinema follows Frank, DJ Black, and Rehema — three devoted film workers in Tanzania — as they reintroduce a classic piece of the country’s film history to their audiences of working class cinephiles. We join them, alongside Maangamizi: The Ancient One (2001), on a journey through the labyrinth of informal libraries, studios, and cinemas that exist to keep film and film culture alive. A testament to the profound cultural value of film when made truly accessible.
A group of prisoners trapped in a crashed prison bus strive to stay alive when they realize there is a mysterious killer lurking in the shadows.
For a decade Kenya has been targeted by terrorist attacks of the Al-Shabaab. An atmosphere of anxiety and mistrust between Muslims and Christians is growing. Until in December 2015, Muslim bus passengers showed that solidarity can prevail.
A story about a young African man living with his beautiful childhood love interest in a bedroom shack, struggling to find work. He then gets a once in a lifetime opportunity to earn money and have a lifestyle beyond his wildest dreams working for a corrupt organization. This dream lifestyle turns to a nightmare when authorities close in on him to turn in his father-figure boss, and his entire organization while losing all his wealth or risk some serious jail time.
Homesickness drives Neema Ngelime to the district of Matonge in Brussels, which is home to a large African community. The busy shopping streets evoke memories of her life in Tanzania. She wants to record the similarities with her native land for her grandmother, but that is easier said than done. As in Tanzania, most people on the street prefer not to be filmed. Yet, Ngelime gradually gets closer to the shopkeepers and customers of Chaussée de Wavre, and shares her observations with the viewer.
