Staragara

A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea.

Russian front, January, 1943. It's hell: the flurries of sleet take the breath away and Sergeant Bisi can make out nothing in the landscape in front of him.

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

Paolo, 40 years old, lives in a small Friulian town close to the north-eastern border. Unreliable and with a passion for good wine, he spends his days at the local tavern and stubbornly stalks his ex-wife.

Inspired by a real event, the film follows 27-year-old Lara (newcomer Diana Kolenc), a paramedic intern who helps bring 30-year-old Kristijan (Vito Weiss) into the hospital, after he was brutally beaten on a Facebook live stream that was seen by 20,000 people and no one called the police. Although Kristijan is in a coma, Lara starts to receive video clips from his Facebook profile, showing unidentified persons watching him get beaten. She reports this to detective Borut (Jure Henigman, from A Trip and Dual), who starts an investigation. All the observers, who appear in the video clips, will become Lara’s nightmare in her real life. She soon realizes that she is also an accomplice in this horrible event.

A young woman struggles to cope with her elderly father's out-of-the-blue announcement he considers his life complete and will end it by his next birthday.

After his mother passes away, Rein moves to a small village in the Alps to be immersed in nature, meditate and work as a snowboard teacher. His quiet bubble bursts when his extroverted father Gijs comes to visit. But it isn’t long before Rein has had enough.

Nadia is an apathetic 16-year-old girl living in Trieste. She has no friends of sorts, in or outside school. One day, she takes a walk with local no-good Brando, and the boy rapes her. From that moment on, Nadia's life changes forever.

María Fux spends her life training dancers, particularly those with disabilities. But now, at 90, she finds her toughest student may be herself.

Caught amid a violent corruption affair, a young woman is forced to make an impossible choice between the man she obsessively loves and her newborn son.

A man stays alone with his children in a half demolished house in the middle of a desolate field. His wife has just been killed by a grenade in a military battle. He is expecting a new attack. Instead a wandering caravan called Circus Fantasticus stops by the house. They bring along the dying director of the circus. Is it possible for anything beautiful to happen in a landscape of war and death? Can life go on? Is it possible to realize that death does not exist?

Lucija, quiet and shy 15-year-old girl, enters the prominent Ljubljana’s Catholic high-school. If she meets her mother’s expectations about the grades, she will be awarded summer holidays at her aunt in Paris – a dream she has been having for years. Never having been practicing music, Lucija is surprised to be invited to join the school’s prominent girls’ chamber choir – a privilege offered to only the most talented first-year students. In the choir, Lucija meets the second year’s most popular and charismatic girl, Ana-Marija. After an intensive singing weekend at the convent, the two become friends.

On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.

Life Is a Trumpet has a loose jazz musician as the groom, a butcher as his father, and two families of different backgrounds whose members are not as different as one might expect.

A family finds itself in a dead-end situation. They are only safe behind the walls of their own house and yard. As time vanishes from their home, the shelter slowly turns into a prison. However, nothing can keep the children from dreaming and yearning to be free and the urge to make a decision seems inevitable.

Dusan and Laza are traveling through Eastern Serbia to Belgrade. Terminally ill, Dusan has to find a new home for his son Laza, to whom Dusan is all he has.

Pero is a professional funeral speaker in a small Slovenian town. His unique gift is to make every funeral that extra bit special. Pero just can't help turning his eulogies into witty personal confessions that bring the grieving crowd to tears for all the wrong reasons.

When you are away from an environment which evokes intense memories, especially if those are memories from your childhood, your imagination makes that environment larger and more beautiful. When you return to the place you craved for, you are often disappointed - that room is not all that nice and big, that street is empty or rainy, etc.

A Man, a Woman and a Boy. Three people in a timeless landscape. They don't know each other, their cultural background is undefined. They try to survive, each on his/her own. Slowly they start to get in some contact which is utterly mistrusting and occasionally hostile, but through various different situations it gradually starts to develop into relationships.

Remake of the first 10 films made by the Lumière brothers, which were screened in Le Salon Indien du Grand Café, Paris, on 28 December 1895. This marked the official beginning of –cinema. Director’s idea was to go to the same places where the Lumière brothers made their first films. In the same hours of the day, with the same light, the same camera angle, and the same lenses. To film the vision of Europe as seen by the Lumière brothers, 120 years later.