After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.
In a small hamlet in the Colombian mountains, a newly appointed padre Father Gabriel finds himself torn between his spiritual calling and his desires for a young woman named Silvia, while also trying to protect his congregation from being drawn into the increasingly violent battles between the government military and rebel forces that surround the town.
Among intrusive memories, a woman hears a disconcerting call from the depths of her being. A cryptic cry for help guides her to the original wound, to her inner child, becoming her own protector.
For Alonso Quijano, professor of literature and expert in Don Quixote of la Mancha, the thin line between sanity and madness snaps one day and from that day forward, his accomplice, veterinary assistant Santos Carrasco, travels through the Professor's past to discover that his madness is but an escape from pain and into the definitive refuge found in fantasy.
What starts as a typical sibling rivlary takes a much darker turn towards the point of no return.
A follow up of a young woman, an artist's model, in her dreamlike wandering through the intimacy of her home.
Bark is the contemplation of a naked body, transformed by the disease and the pass of years, that suggests old age as the transition to another reality.
