Studio Filmowe Kalejdoskop

Stories of three women struggling with alcohol. Dorota is a great prosecutor. Using her immunity, she tries to avoid responsibility for her offenses committed under the influence of alcohol. Her husband, a famous politician, helps her keep the problem secret and rescues her from many troubles but he slowly loses patience. A respected children surgeon Teresa has lost her family due to drinking problem, all she is left with is her job at the hospital where she is the main doctor. The situation goes out of control when the woman comes drunk to the hospital. A student, Magda, likes to party hard and because she is a good student and has a great job, no-one opposes that. At one moment, the girl loses control. A tragedy happens.

Marta is a romantic and a loser in school. She shares a room with her sister Kasia and grandma, who tells her granddaughters insurgency stories instead of fairy tales. In the room behind the wall, the parents - Tadek and Elżbieta - live their married life. He is an intelligent constantly humiliated by the state, he also makes his own moonshine after work and silently envies his prosperous brother in law. She is the leader of the "Solidarity" union at work, with the need for freedom and a dream to get out of Poland. The real adventure for the family starts when they manage to get their dream orange Fiat 126p. Ela and Tadek discover their appetite for trading and trips abroad, and the growing Marta will fall in love for the first time.

Klara and Aniela are two young girls who decide not to get married. This decision makes bachelors even more eager to conquer them. Adaptation of the classic comedy by Aleksander Fredro.

A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife's sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.

After 2 years in a mental hospital, Gosia, 18, is returning to her family and friends. As every other young woman, all she wants is a chance at ordinary life: to finish her studies and meet someone who will love her. She fights to be heard and understood, and speaks openly about her experience of schizophrenia.

Piotr Tymochowicz, media advisor to some of Poland's top politicians, claims that anybody can be molded into a charismatic leader. To prove it he's looking for a greenhorn that can be turned into a candidate. A call is put out for would-be participants, and hundreds apply. A small group is selected and under go training. Polish master Marcel Lozinksi followed Tymochowicz and this project for three years, and this beautifully shot and edited work paints a compelling portrait of cynical (and quite familiar) demagogy and populism in action.

Does doctor Jan Terelak belong to an “elitist” group of the most unethical experimenters? The Polish scientist tested boundaries of human mental resilience in extreme conditions of solitude in Antarctica. The starting point for Piotr Jaworski's documentary is the psychologist's journal. The project from forty years ago was focused on studying the mental condition of polar explorers at the Polish station. Men were in the situation of confinement, comparable to a space mission. The film reconstructs these events, referring to the then contemporary context and changes in the perception of science.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of ​​his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.

DJ Edee Dee, or Edward Gil-Deskur, is a cult figure in the Krakow club world. Edward was born with congenital glaucoma and soon lost his sight completely. Artificial intelligence helps him adapt to the new reality, with which he begins to establish an increasingly deeper relationship.

This movie shows the simplest difference between Europe and former Soviet Union. It is the eponymous 89 mm - Russian train tracks are 89 mm wider than tracks in European countries. And because of this fact, it is not easy to go through the Soviet border by train in Brest as the passengers in the film do.

Casper, movie rental worker becomes an owner of a DVD with a registered murder, which John made ​​for an unfaithful wife.

Polish filmmaker Marcel Łoziński revisits the farmer/intellectual Urszula Flis, subjects of his 1978 film 'A visit'. Łoziński observes the changes that have occurred over the intervening 23 years and again persuades this sensitive, secluded woman to talk through her thoughts, fears and feelings. Through this, the morality of the documentary portrait itself is called into question.