Imagem Filmes

Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".

After going through a failed heist, 5 friends, apparently back to their normal lives, are involved in an opportunity to pull off another one.

Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!

The Tatu Tatuado de Topázio ring, by socialite Gracinha de Medeiros, is on display at a museum. She then hires the clumsy security guards Pedrão and Jorginho to watch over the jewel, a family heirloom. The ring is stolen and the pair accused of theft. To prove that they are innocent, they will have to face Portuguese mobsters and a gang of ninjas.

On the first day of high school, friends Mônica, Cebola, Magali, Cascão and Milena don't take long to realize that things at school have been strange. When they discover that the Lemon Tree Museum will be auctioned, they decide to join in a mission to try to save it. As they investigate, they come across ancient and frightening secrets of the Limoeiro neighborhood and soon realize they may be dealing with a much bigger threat.

The day a man almost runs-over a puppy, he meets the love of his life. The couple and their dog live the dream, until she wants out.

In 1951, New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Mary is jealous, but unconventional Lota is determined to have both women at all costs. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet.

Afonso is a university professor and a single father to his son Benedict. One day, they decide to take a trip together, but face problems when their car breaks down. They are helped by four very beautiful telemarketing operators who take them back to São Paulo.

The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.

The heroes of Golden Oldies 1— Juca, PR, and Montanha — are back, following different routes. Montanha lives in an old mansion and gets ready to reunite with his friends. Once together again, the three friends get into hilarious situations.

Rosa (Duda Matte) is dedicated to study, Leo (Marcus Bessa) is a good soccer player. She is always on time, he is always late. She hates Julia (Maisa), the most popular girl in high school, he kind of likes her. They are both new students at school and, besides having to learn how to deal with new friends and family problems, they find out that they have much more in common than they thought. Based on the successful book by Thalita Rebouças, they will find that growing up may seem complicated but deep down it's a great adventure.

Based on the classic Brazilian television series that conquered audiences during Sunday night prime time on TV Globo, with improv that happens like in scenes of a play. The feature film’s structure maintains the members of a middle-class family from São Paulo, their maid, and the building’s doorman. It’s the return of iconic characters like Caco Antibes, Magda and Ribamar, and also new characters.

The Devil himself comes to Earth to open his own church and the world becomes a pandemonium of delights and confusions. Based on a short story by Machado de Assis, the most famous realistic Brazilian writer of the XIX century.

A failed pseudo-comedian discovers that another guy is making a name for himself with his original joke. He needs to recover what is his, even if he has to kill his tormentor to do so.

Reencountering the only man she ever loved is Gringa’s dream. She is the owner of a brothel in the interior of Brazil and even though she is blind and very sick, she insists on fulfilling her last wish: to go to Venice to apologize to the lover she abandoned decades ago. To take her to the Italian city, Tonho, Rita and the other girls who work for Gringa come up with a fantastic plan with help from a circus troupe.

In an arid and poor region of Brazil, bikers search for a miracle to make it rain and save the land, risking their lives.

Maria, a virgin spinster, is trying magical superstitions to find a husband. In her dialogue with the marriage saint, she implores for a companion. Her father offered her as a bride to Saint Djalminha, if the saint saved her during her complicated birth which ended in the death of her mother. Since then Maria has lived this dilemma: revered and loved by the residents and pilgrims that believe she is a miracle worker; she is desperate to live a great love, with a flesh and blood prospect with real passionate desire. She asks for a sign from the heavens, a clue on how to find a crumb of love when a gypsy arrives on scene saying "someone who loves her very much, but she doesn't know will come from afar on an artists' caravan." Maria can't take the solitude she is living anymore and decides "to find Mr. Right," no matter how much it may cost.