How a Sausage Dog Works

How a Sausage Dog Works 1972

6.20

Polish animated short film that uses unconventional film techniques such as cut-out, drawing, filming miscible fluids and scratched images. Also uses non-camera technique such as drawing directly on film. The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms' techniques and calls for respect for the environment.

1972

I'll Kill Myself!

I'll Kill Myself! 1975

1

Short animation by Alina Maliszewska about two lovers trying to kill themselves

1975

A Bear Named Wojtek

A Bear Named Wojtek 2024

10.00

Displaced by the Second World War, a troop of Polish soldiers form an inseparable bond through an orphaned bear they name Wojtek.

2024

Franz  Kafka

Franz Kafka 1992

6.30

A fantasy biography of Franz Kafka, bringing to life the writer's diaries and photographs.

1992

The Appeal

The Appeal 1971

5.30

In a simple but powerful way, director Ryszard Czekala presents the horror that happened in Nazi concentration camps: prisoners’ dread, humiliation and lost humanity. Its directness and style is sometimes interpreted as a response to the trend of allegorical and philosophical filmmaking that dominated Polish animation in the 1960s.

1971

Fire

Fire 1975

8.00

An apocalyptic vision of a forest fire.

1975

Trap

Trap 1962

1

Ijon Tichy arrives on a new planet in a single-person spacecraft. His habits and fantasies are with him. The aliens recreate the sex bomb from the poster that could be found in the cabin of his spacecraft. Then, they present him a live dummy. A male-female evening in space with some pre-war music hits becomes possible.

1962

Cages

Cages 1967

6.10

An allegory of the hopeless relationship between a prisoner and his jailer, representing the dependence of mankind upon authoritarianism.

1967

Horse

Horse 1967

6.20

Enacting the story of a hunt with wild but precise gestures, the Polish animator Witold Giersz’s The Horse (award-winning at the Krakow Film Festival for “its exceptionally interesting animation technique”) explodes with color and brings to life the physical strokes of paint of which it is made. The film never lets you forget that what you’re seeing is simply paint being rearranged into recognizable shapes, yet the pumping musical score and expressiveness of its titular character provide a simultaneous emotional experience. The abstract backgrounds render the narrative world beautiful and strange yet entirely comprehensible, as the film depicts an epic chase from humanity’s past.

1967

The Stuntman

The Stuntman 1972

1

From cowboys to cannons, diving to racing, perhaps nothing can stop this stuntman

1972